The slowest and heaviest strut on the set at 64 BPM in G#m, built on distorted electric guitar, hard backbeat drums, handclaps and a gritty organ pad. No bass listed, so the weight comes from guitar and claps — a swaggering, rustic walk-in cue for slow-motion entrances rather than full-speed action.
The album's title cue: 80 BPM in Em with pulsing distorted guitar riffing, bass, stomping drums, claps and wordless oohs and ahhs behind the groove. The most aggressive and action-leaning of the mid-tempo tracks, aimed squarely at extreme sports highlight reels.
At 75 BPM in Em this is the longest and most brooding of the slow struts, with pulsing distorted guitar, bass, organ colour, claps and wordless vocal ahhs. Its 2:39 length and aggressive edge suit a longer build toward a competitive reveal.
80 BPM in A minor, the brighter minor centre giving this one a more uplifting swagger than its Em siblings; gritty guitar, bass, claps, organ and oohs-and-ahhs behind. Confident and youth-flavoured rather than menacing, fitting a triumph beat.
84 BPM in Em with a tight two-minute arc of distorted guitar riffing, bass, claps and wordless vocal chants. The shortest of the mid-tempo cuts, making it a clean fit for a 30- or 60-second cut-down around a goal or winning moment.
82 BPM in Em and the most texturally rich cue on the album — distorted guitar and bass joined by piano, organ and harmonica for a dusty roots-blues flavour under the rock swagger. Confident and action-ready but with more Americana character than its neighbours.