The fastest cue on the set at 166bpm in D minor, driving distorted guitar riffs over hard-hitting drums and bass with chanted male backing vocals. The title's chase energy suits full-speed footage rather than strut — relentless from the top and built to land on a final hit.
A slow-swaggering 90bpm stomper in D with heavy, spaced-out drums, dirty distorted guitar and gang-style oohs and ahhs. The half-time feel gives it a taunting, shoulder-rolling menace that fits slow-motion entrances and pre-fight staredowns.
Mid-tempo 100bpm rock in D minor and the longest cue here at 2:55, giving room for a slow riff build across distorted guitar, bass and heavy backbeat drums with background vocal chants. The rolling groove suits arrivals, convoys and team-entrance footage that needs to breathe before it hits.
A 111bpm D minor riff cue with a sly, cocky lean — gritty electric guitar and bass over confident drums, topped with oohs and ahhs. The mischief in the title points it at trash-talk moments, heist-lite comedy and any edit that needs attitude without full-out speed.
90bpm in A minor, the darkest-tuned track on the set, with heavy distorted guitar riffing, thick bass and stomping drums under gang backing vocals. Its confrontational title and slow, weighted groove make it a natural for pre-brawl tension and gritty underdog footage.