Stadium-sized blues rock at 139bpm in G minor, built on hard-hitting live drums, driving bass and dirty electric guitar riffs with chanted oohs and ahhs backing the hook. Cocky and aggressive without turning dark, it runs a tight 2:15 and lands hard enough for a sports package edit.
A fast 180bpm shuffle in E minor with a twangy, feel-good edge — snapping drums, walking bass and bright electric guitar keeping a constant forward roll. The most upbeat and least aggressive of the set, cheerful rather than confrontational across 2:39.
The slowest and coolest cue here at 120bpm in G minor, leaning on 60s garage and spaghetti-western swagger with a loose electric guitar hook, fat bass and oohs-and-ahhs vocal backing. Struts rather than sprints, which makes it good for slow-motion entrances and attitude-driven product work.
The title cue and the most straightforwardly bluesy track on the record: 123bpm in E minor with twangy electric guitar, thick bass and a confident mid-tempo drum groove. Bold and unhurried at 2:35, with a western tilt that suits dusty, character-led footage as readily as a sports intro.
The angriest cue on the EP — 160bpm in G minor, alternative stadium rock with pounding live drums, distorted electric guitar and an aggressive bass push. Nearly three minutes of sustained attitude, strong enough to carry a full workout or fight-training sequence without an obvious drop.