I Got The Blues Vol. 3

A long, moody slide-guitar blues at 3:35, the guitar sliding and pouring through a slow, spacious rhythm bed. Matches the album's most patient cut for length, giving editors room to breathe. Suits river and water imagery, Southern documentary footage and reflective travel sequences.

Short and moody, with an upright-bass-led feel implied by the title — a tight, contained blues walk in under two minutes. The most stripped-back and least showy cue on the set. Ideal as an underscore bed, a scene transition or a sparse backdrop for narration.

A brief, tender blues at 2:24 — moody and romantic with a delicate touch implied by the title, guitar leading over a soft rhythm bed. It says its emotional piece quickly. Suits quiet two-person scenes, memory flashbacks and gentle documentary interludes.

Cheerful, happily insistent blues with a clockwork shuffle that keeps ticking along for three minutes without slackening. Brighter and more optimistic than most of the album. Good for time-lapse, busy workday sequences and light-hearted narration.

Slide guitar is the voice here — a cool, moody shuffle with sustained, keening bends over a laid-back rhythm section. Runs just under three minutes at a steady, sexy pace. Fits desert highways, Delta and Southern documentary footage and lone-traveller sequences.

A moody, emotional slow blues with a sexy, hard-worn feel — guitar leading over a spare, patient rhythm bed. Three minutes that dwell in the mood rather than climbing out of it. Suits hard-luck storytelling, poverty and struggle footage, and late-night solitude.

Sunny, offbeat coastal blues — fun and slightly kooky with a sultry undertow, running a brisk 2:27. Lighter and more playful than the moody cuts on the set. Fits beachfront and boardwalk footage, summer road trips and breezy reality TV.

A short, spirited Louisiana-flavoured blues romp, cheerful and a little quirky, with a second-line bounce in the rhythm. At 2:23 it is punchy and quick to make its point. Ideal for street parade footage, food segments and comic capers.

The shortest cut at 1:54: a smooth, moody blues with a cool late-night lean and no time wasted getting into the groove. Its brevity makes it a natural fit for stings, promos and tight scene transitions. Suits jazz-club atmosphere and noir-tinged interstitials.

Loose-limbed, fun guitar blues named for the player's touch — busy fretwork over a relaxed, sexy shuffle. Just under three minutes of steady groove with a cool, unhurried confidence. Good for pool halls, backstage footage and craftsmanship or hands-at-work sequences.

The emotional outlier: a slow, tender blues with expressive lead guitar phrasing that leans romantic and hopeful even as it carries sadness. At 3:35 it is the longest and most patient cue here, with space for a full arc. Fits reunions, late-in-story reflection and love-lost storytelling.

Heavy, swaggering blues with a big, cool riff and a sexy, slow-rolling stomp implied by the title's oversized attitude. Three minutes of muscular groove without much dynamic shift. Suits wrestling and motorsport intros, tough-guy entrances and gritty product spots.

A cool, slightly quirky blues that puts brass at the front, with horn lines answering the rhythm section's shuffle. Its 3:05 stays playful rather than grand, with a knowing, tongue-in-cheek strut. Good for character comedy, heist planning and jazz-adjacent city scenes.

Organ-forward blues, with Hammond-style keys carrying the melodic lead over a smooth, cheerful shuffle. Compact at 2:45 and consistently warm and swinging. Works for retro diner and soul-food imagery, gambling scenes and easy comedic pacing.

Classic Chicago-style electric blues, smooth and cheerful, with a walking shuffle and bright lead guitar over piano and rhythm section. At 3:25 it is one of the longer, more spacious grooves on the set, good for editing to. Suits city establishing shots, blues history docs and easygoing lifestyle content.

A blues with a split personality — the title looks downcast while the feel stays fun and upbeat, giving it a wry, shrug-it-off charm over a bouncing shuffle groove. Runs 3:05 with plenty of room for guitar and piano fills. Good for comic misfortune, underdog storylines and light-hearted narration.

Smooth, cheerful electric blues with a confident mid-tempo shuffle and a clean, city-swagger guitar lead. Nearly three minutes of steady, unforced forward motion, more strut than grit. Fits automotive footage, urban Americana docs and working-life montages.

The album's vocal centrepiece: a moody, sultry blues with a sung lead riding a slow-burning guitar-and-organ backing. Its 3:23 length gives room for verse-and-solo trading and a sexy, unhurried swagger. Best where a voice is wanted in the scene — bar performance, credits, or a seductive character moment.

Bright, good-natured New Orleans-flavoured blues with a rolling shuffle groove and cheerful guitar and piano trading lines. The mood stays upbeat and social across its 2:40 without darkening. Ideal for French Quarter footage, festival crowds and food-and-travel segments.

Slow, smoky blues built around bottleneck slide guitar phrasing over a loose shuffle rhythm section, moody and after-hours in feel. At 2:38 it stays in one cool, sultry pocket rather than building. Suits dive-bar interiors, a lone drive at night, or a rough-edged character introduction.