I Got The Blues Vol. 1

A cool, emotional blues with a sultry edge, running 3:29 with room for guitar to answer the question the title asks. Sits between heartache and seduction — unresolved feeling, steady groove.

Warm, cool-toned blues with a romantic pull and easy mid-tempo sway across 2:56. Less sultry than the slow numbers and less rowdy than the rock cuts — an inviting middle ground.

Confident mid-tempo blues with a punchy shuffle and sassy guitar attitude — the title's ultimatum played as swagger. 2:41 of steady, unbothered groove.

A cool, sleazy mid-tempo blues with a strutting groove and gritty guitar, 2:39 long. Suits after-hours vice: back rooms, bad decisions, neon-lit temptation.

Fast, attitude-heavy blues with a hard-edged shuffle and biting guitar across a tight 2:37. Aggressive but fun rather than menacing — traffic chaos, chase comedy, competitive edge.

Swaggering, high-energy blues-rock with a dirty guitar riff and driving backbeat — the title's engine metaphor is the brief. 3:19 of forward push with no let-up.

The album's longest cue at 6:28: a cool, emotional Delta blues with romantic undertow and extended guitar phrasing over a loose, rootsy groove. Built for scenes that need atmosphere sustained for minutes at a time.

Six minutes of cheerful, hopeful blues with an easy-rolling positive groove and warm guitar work. The most optimistic long cue here — good for gradual, feel-good storytelling.

A near-six-minute emotional, romantic blues that takes its time — extended guitar soloing over a patient groove. Length makes it useful as a bed under long dialogue or a slow-burn closing sequence.

Happy, driving blues-rock built for motion, with a bright shuffle groove and jubilant guitar across 4:16. One of the album's most positive and longest full-band cues — plenty of runway for a montage.

Heavy, emotional slow blues in a brief 1:41 — weighted chords and mournful guitar with no lift. Designed for the moment bad news lands.

A compact 1:40 Delta-flavoured blues, dark and sensual, with a heavy dragging groove and gritty guitar. Short enough to sit as a scene setter or sting for southern locales.

An emotional, romantic blues that runs 4:21 — the longest of the mid-tempo cues, with space for guitar to stretch out over a rolling road-trip groove. Suits journeys with feeling attached rather than pure fun.

The album's slow, sultry side: a cool and romantic blues at 3:39 with smoky guitar and a relaxed, hip-swaying groove. Longer runtime gives room for a scene to unfold — seduction, a slow dance, a nightcap.

Mid-length moody blues with a walking, reportorial pulse — steady groove and guitar commentary rather than a big hook. Its even, talk-over-friendly build suits information-carrying sequences.

A blue, melancholic slow blues built on aching guitar phrasing and unhurried backbeat. The title says it plainly: this is the cue for the low ebb, played straight without lift.

Moody minor-key blues with a downcast, ruminative feel — slow-burning guitar lines over a loose rhythm section. Brief at 2:17, it works as an interior beat where a character sits with regret rather than acting on it.

A short, upbeat blues shuffle with a cheerful, playful swing — guitar-led band feel over walking bass and brushed drums. At 2:15 it's a quick, self-contained cue for light-hearted flirtation or comic misadventure.