30 Sec Spot Pop / Acoustic / Rock Vol. 2

A cool, understated 29-second groove with a laid-back urban attitude and no overt cheer — the most neutral cut on the album. Its restraint makes it a good bed under talk.

A 19-second bumper of light, buoyant pop-rock with an airy lift — short-form only, no time for development. Weightless positivity for a quick tag.

Driving, chant-adjacent pop-rock with sports-team confidence, cut to exactly 30 seconds. Cheerful and competitive rather than aggressive.

Generic-by-design upbeat pop-rock at 40 seconds — a longer, all-purpose happy bed with drive and a bright resolve. The safe default when a spot just needs positive energy.

A 30-second rolling rock groove with highway momentum and a fun, unpretentious attitude. Built for wheels, engines and long straight roads.

Cheerful, small-scale pop with a toybox playfulness implied by the title, running 34 seconds. Suits miniature, domestic or slightly whimsical visuals.

Driving, loved-up pop-rock with an uplifting push through 32 seconds — first-romance energy at commercial pace. Brighter and faster than the acoustic romantic cues nearby.

Innocent, cheerful teen pop in a tidy 32-second spot form, bright and lightly nostalgic. Straightforward happiness with no darker shading.

Driving but emotionally weighted pop-rock — forward motion with an undertow of feeling rather than pure cheer. 32 seconds, useful when a spot needs momentum plus sincerity.

A second surf-flavoured cheerful cut, 32 seconds, sitting close to its neighbour but with a lighter, more novelty-tinged tone in the title. Interchangeable coastal fun for short-form use.

Sun-bleached surf-pop with a happy, breezy bounce, 33 seconds with a clean end. Reads as coast, board shorts and easy adolescence.

Guitar-forward, strum-driven pop with a hopeful upward lift across 38 seconds — a longer runway than most cuts here, so the build is more gradual. Cheerful without tipping into party energy.

Urban-flavoured driving pop-rock with an uplifting, striding pulse suggested by its city title. At 33 seconds it works as a full spot bed for footage of pavements, traffic and hustle.

Driving, uplifting pop-rock in a tight 30-second broadcast length, pushing forward from the first bar. Straight-ahead momentum for aspirational imagery.

An untagged 2:29 pop-rock piece whose title points to something dreamy and wide-eyed rather than driving. Full length, so it suits scene scoring where the shorter spot cuts run out too soon.

A 17-second burst of sunny, splashy pop-rock — a bumper-length hit of summer fun with no build. For pool, beach and social cutdowns.

A short 26-second cue that pairs a bouncy, cheerful surface with a downward tilt in its title — playful music for something going comically wrong. Quick in, quick out.

Solo acoustic guitar carrying a bittersweet, lonely romantic tone across 32 seconds. The sparest cue on the album and the most exposed emotionally.

Gentle, unadorned acoustic pop with an intimate romantic warmth, 34 seconds long and low in the mix. Built as a soft-spoken bed under dialogue or narration.

Nearly two minutes of cool, fizzy retro pop with a light-hearted, nostalgic bounce. Long enough to carry a whole sequence of diner, drive-in or vintage Americana imagery.

A full 3:16 rock track with a loud, driving pulse and a fun, unfussy attitude — built for volume rather than nuance. Length suits scene use or a long-form edit rather than a spot.

Smooth, mellow and melancholy pop with a soft romantic ache, holding a steady low-key tone across 32 seconds. Its polished calm makes it easy to lay narration over.

The shortest of the sad cuts at 27 seconds: slow, moody and quietly heartbroken, with a wistful romantic edge. A brief downbeat bed rather than a full arc.

Knowingly corny feel-good pop, 1:22 long, with an unashamedly bright melodic hook. Useful where the comedy comes from the music being too nice for the picture.

A full-length 2:49 cue with an upbeat ska lilt — offbeat guitar chops and a sunny, danceable swing. Its length makes it a scene bed rather than a spot cut.

A 17-second cutdown of bright party pop-rock — essentially a bumper with a hook and a stop. Designed for short-form slots and social edits where there is no time to build.

Light spy-flavoured pop that plays the intrigue for fun rather than menace, staying bright and hopeful across 31 seconds. Good for sneaky, mission-style comedy edits.

A cool, horn-flecked pop-rock groove with a scratchy rhythm guitar feel, playful rather than earnest. 32 seconds of struttingly confident mid-energy motion.

Carefree, holiday-mood pop-rock aimed squarely at the last bell of term — 31 seconds of bright rhythm guitar and youthful energy. Reads instantly as summer freedom.

At 3:20 this is a full-length song rather than a spot edit — bright, warm pop-rock with a romantic core and multiple sections. Use it where a complete arrangement and natural ending are needed instead of a 30-second cut.

Fun, fist-in-the-air rock with a loyal, throwback swagger across 33 seconds. Sits close to the other rock cuts here but leans more celebratory than aggressive.

Good-time rock and roll with a party-ready swing and a broad grin, running 35 seconds. Bright guitars and a confident backbeat for crowd and celebration footage.

A short, hard-driving rock hit — 28 seconds of loud guitars and attitude with no room for subtlety. Best as a punchy stab under titles or a fast product reveal.

Gritty rock driven by insistent picked electric guitar, cool and hard-edged rather than cheerful. The 34-second run keeps the intensity constant with a firm stop.

At just over a minute, one of the longer builds on the album: it starts moody and reflective and climbs into hopeful, determined territory. Suits underdog and career-ascent narratives that need real arc.

Fingerpicked retro acoustic guitar carrying a warm, old-fashioned cheerfulness — the instrumental counterpart to the vocal retro cut. 32 seconds, light and unhurried.

Retro-flavoured acoustic pop with a sung lead vocal, cheerful and vintage in character across 32 seconds. The only vocal cut among the surrounding acoustic beds, so it fronts a spot rather than sitting under narration.

The darkest of the romantic short cues — moody, emotionally clouded pop with a wary undertone suggested by its warning-sign title. Its 37 seconds allow a slow reveal rather than a quick hook.

Straightforward happy pop-rock aimed at ambition and small wins, running exactly 30 seconds for a broadcast slot. Bright rhythm guitars and a clean, positive finish.

A longer 56-second feel-good pop cue with a carefree, whimsical mood and room for two distinct sections. Suits dreamy, colourful footage and lighter documentary sequences.

A short, comic country-flavoured piece with a bouncing acoustic strum and a deliberately goofy lilt. At 28 seconds it is the tightest cut here — good for a quick gag or a rural sight-line.

Cheerful pop built around a bell-toned vibraphone lead over a light rhythm section, giving it a boutique, playful character. The 41-second length allows a longer runway before the resolve.

A light, springlike acoustic pop cue with a happy forward drive and an airy, seasonal brightness. At 31 seconds it works as a full commercial bed for outdoors, gardens and fresh starts.

Bright, driving acoustic pop with a chugging strum pattern and a sunny, feel-good push through its 32 seconds. A default choice for lifestyle and retail spots that need momentum without aggression.

The broadest, most anthemic of the hopeful cuts here, and at 40 seconds the longest of the emotional short beds — room for a proper build into a big, positive payoff. Suits inspirational storytelling and aspirational brand endings.

Emotional pop-rock with a hopeful, uplifting climb across 31 seconds — restless at the front, resolved and brighter by the end. Fits relationship storylines and any spot needing a quick emotional turn.

Sincere, hopeful acoustic pop written as a short advertising bed, with strummed guitar and an open, unguarded emotional tone. The 32-second length gives a clean intro, lift and resolve for a voiced spot.

Warm acoustic-leaning pop with a tender, romantic tilt that grows over its half-minute run. Suits footage of small personal progress — first steps, first attempts, quiet encouragement.

A cheeky, upbeat pop-rock cut built for a 30-second slot, with a swaggering guitar-and-drums groove and a playful, flirtatious lift. At 34 seconds it plays as a complete commercial bed with a clean button at the end.