I Got The Blues Vol. 2

A moody, sensual mid-length blues that stays in a consoling register rather than building to release. Three minutes of steady guitar-led groove for aftermath and recovery scenes.

A short, bright blues romp about loyalty — upbeat and grinning, with no shade in it. At 83 seconds it's a tag or a quick montage rather than a full-scene bed.

A slow, emotional blues with a valedictory title and nearly four minutes of unhurried development — the album's most cinematic farewell cue. Suits endings, departures and final-stretch footage.

A short, hungry-sounding blues with playful swagger and a sexy lean, built on guitar and groove. Its sub-two-minute length makes it an efficient scene setter.

A brief, strutting blues with a sultry edge — fun and flirtatious rather than mournful. Under 90 seconds, it works as a short cue or a promo tag.

A cheerful, sun-warmed blues with a Southwestern flavour implied by the title, running long enough to cover a travel sequence. Guitar-forward and buoyant with no dark turn.

An upbeat, happy blues with an unmistakable lift in the title and mood — the album's optimistic, gospel-leaning corner. At three minutes it carries a full triumph or comeback montage.

An extended slow blues, romantic and openly emotional, with almost five minutes to stretch out through repeated guitar phrasing. A companion to the other long lament here but warmer and less bleak.

The saddest cue on the album: a slow, emotional blues that stays inward and wistful across a compact two minutes. Sparse enough to sit under reflective narration or a quiet flashback.

A muscular, fun blues cut with a thick riff-driven attitude and no melancholy in it. Just under two minutes, it suits footage of physical effort or machinery.

A cool, low-slung blues with a genuinely blue tint — restrained groove, no push toward triumph. Its two-minute length and understated feel leave space over the top for narration.

A straight-down-the-line moody blues, short and traditional in feel — the reference version of the classic form rather than a variation on it. Under two minutes, useful when the brief simply asks for 'blues'.

A cheerful, cocky blues romp with a comic title and enough length to sit under a full sequence. Guitar-led and rhythmically loose, it plays best where the visuals are doing something greasy, hands-on and funny.

A brisk, driving blues shuffle with a confident strut — the most forward-moving of the short cues here. Under two minutes, it drops straight into an upbeat montage without needing an edit.

Nearly five minutes of moody, unsentimental blues that holds one dark groove without lifting into anything upbeat. The extended runtime and steady mood suit confrontation, aftermath or a long investigative passage.

An 83-second blues sketch that keeps a downcast lyric idea inside a bright, playful shuffle — cheerful on the surface, resigned underneath. Its very short length makes it a tag, bumper or scene button.

The longest cue on the set: a nearly six-minute slow blues lament with room for extended guitar soloing and a gradual deepening of the mood. Length makes it a rare fit for a whole scene or an unedited documentary sequence rather than a short sting.

A slow, confessional blues with a romantic, moody pull — guitar and unhurried backbeat carrying the sentiment rather than any big build. Its unhurried mid-length runtime suits an intimate two-hander or a reconciliation scene.

A short, smoky blues cut built on slow-rolling guitar and rhythm-section swagger, closer to a late-night bar vamp than a full song form. At just over two minutes it works as a compact insert rather than a bed for a long scene.