Fast alt-rock in E minor at 161 BPM, built on driving drums, distorted electric guitar riffing and a hard-pushing bass line. Confident and relentless from early on, holding a high-intensity plateau across three minutes before a firm ending.
Straight-ahead rock at 148 BPM in A minor, slightly less frantic than the album's fastest cues, with a solid drum backbone, gritty guitar chords and prominent bass. Intense and swaggering, suited to footage that needs muscle without total chaos.
The longest and steadiest cut here: 133 BPM rock in A minor with a mid-tempo stomp from drums, bass and overdriven electric guitar. Its extra length and lower tempo give room for editing across scenes and for narration over the groove sections.
Alt-rock charge at 161 BPM, set in D minor for a slightly darker, more urgent colour than its A minor siblings. Drums, bass and distorted guitar drive hard throughout, and the short runtime keeps it tight for chase and race cutting.
Shortest and most immediate track on the set: 161 BPM alt-rock in A minor with punchy drums, aggressive electric guitar and driving bass. The title's rush is the brief — instant adrenaline, no slow build, in and out under three minutes.