Driving indie psych-rock in A at 134 BPM, built on loose electric guitar jamming, round bass, live-feeling drums and a retro synth wash. The title cue of the set: sunny and unhurried but with enough forward push to carry a highway sequence, running nearly four minutes for long-form cutting.
The fastest of the mid-range cuts at 150 BPM in A, pushing the same guitar-bass-drums-synth jam band setup into a more urgent, kinetic groove. Feel-good and trippy but restless, suited to footage that needs momentum rather than cruising.
The most relaxed cue on the album at 110 BPM in E, with electric guitar and bass settling into an easy retro groove over steady drums and hazy synth. The 'No North' title reads as aimless wandering, making it a good bed for drifting, directionless footage and reflective lifestyle voiceover.
A slow-rolling 100 BPM psych-rock groove in G, the darkest-titled piece here, where guitar, bass and synth sit back into a woozier, more submerged version of the album's feel-good jam. Nearly four minutes of loose repetition suits underwater, night-drive or dream-sequence imagery.
The album's brightest and fastest cue at 160 BPM in G, tagged fun and happy on top of the shared feel-good psych-rock palette of electric guitar, bass, drums and synth. Short and punchy at 3:29, it works for upbeat comedic or celebratory cutting where the pace never lets up.