A minor-key skate punk driver at 97 BPM in G minor, built on distorted electric guitar riffing, punchy bass and live-feel drums. The G minor tonality gives it a grittier, more defiant edge than the album's major-key cuts, and it runs long enough at 2:20 to carry a full trick sequence. Suits street skating footage, urban BMX lines and aggressive product reveals.
The fastest cut here at 102 BPM in bright D major, riding a wide-open distorted guitar riff, driving bass and hard-hitting drums. The major key keeps it triumphant rather than menacing, making it a natural fit for winning runs and finish-line moments. Works for motorsport and race car footage as much as skateparks.
A mid-tempo surf-flavoured rock anthem at 86 BPM in C major, with distorted guitars, thick bass and a live drum feel that leans back into groove rather than sprint. The relaxed tempo and bright key suit sun-soaked coastal footage and slow-motion wipeouts. At 2:06 it is the shortest cue on the set — a tight edit for short-form spots.
At 105 BPM in E minor this is the quickest and one of the darkest cues on the album, all distorted riffing, propulsive bass and relentless drums. The minor key and speed push it toward big-wave and high-consequence footage rather than playful park sessions. Good for peak-adrenaline cutdowns and competition finals.
A 100 BPM D minor rock cue with a heavy, rolling riff, distorted guitars and drums that carry a stomping live weight. The minor key gives it a thundering, slightly menacing character suited to build-and-hit editing. Fits crash reels, tough-terrain vehicle footage and pre-game hype.
A 90 BPM cue in F# major, mid-tempo and bright, with distorted electric guitar riffs over solid bass and live drums. The unusual major key and moderate pace give it a swaggering, cruising quality rather than an outright sprint. Works over longboard runs, coastal road footage and confident brand imagery.
Fast and dark at 104 BPM in E minor, this is a street-rock pounder of distorted guitars, driving bass and hard live drums. It shares its key with two other cues here but sits at the higher tempo end, making it the more urgent option for city footage. Suits urban running, downhill skating and gritty sports documentary sequences.
The slowest cue on the album at 77 BPM in C major, a heavy half-time rock groove of distorted guitar, thick bass and deliberate live drums. The slow tempo and bright key make it the obvious choice for slow-motion and impact-heavy edits rather than fast cutting. Good under wipeouts, big landings and swaggering hero shots.
A 100 BPM E minor skate rock cue with riff-led distorted guitars, punchy bass and energetic live drums. At 2:24 it is the longest track here, giving editors the most room for a full run or multi-section montage. Suits park sessions, youth culture footage and extended sports highlight packages.
An 80 BPM rock cue in D major with a heavy, unhurried riff, driving bass and hard-hitting live drums. The slow tempo paired with a bright key gives it a rowdy, chest-out stomp rather than a punk sprint. Fits ramp and vert footage, crowd-heavy event coverage and tongue-in-cheek attitude spots.