Funky Electronic Breakbeats Vol. 1

Big beat breakbeat built on a repeating, insistent groove that lives up to its title, with chopped drums, filtered bass and electronic stabs cycling over three minutes. Standard-length edit that stays at a steady club-floor energy rather than building to a peak.

Playful, strutting funk breakbeat with a cheeky title connotation — swaggering drum loop, fat electronic bass and sliced funk elements. Mid-length cue that keeps a cool, tongue-in-cheek attitude throughout.

The most aggressive-titled cue in the set, suggesting a hard-hitting breakbeat with cracking snares, distorted bass and big beat drops. At nearly four minutes it has room to shift between sparser break sections and full-throttle passages.

Upbeat, motivational take on the album's funky breakbeat template, with a lifting quality implied by the title over driving chopped drums and electronic bass. Short and punchy at under three minutes, it works as a straight-ahead energy bed.

Dirty, retro-leaning funk breakbeat that leans hard on the groove: syncopated drum break, grimy bass and filtered funk stabs. Consistent mid-length energy suited to footage that needs attitude rather than narrative shape.

The shortest full-groove cut on the album at well under two minutes — a compact, funky breakbeat statement with chopped drums and bass hook and little space to develop. Useful as a stinger-length bed or a quick transitional bumper.

Nearly four minutes of retro-flavoured funk breakbeat, the title suggesting a return to a classic groove with looped drums, electric bass and electronic funk textures. Long enough to sit under an extended montage without needing edits.

The most jazz-inflected cue here, pairing acid-jazz style chords and horn-like electronic phrasing with the album's chopped big beat drums. At over five minutes it functions as an extended lounge-club groove that can run long under dialogue-free scenes.

The longest track on the album, a near six-minute breakbeat workout whose title points to filter and pitch-bending electronic manipulation over heavy chopped drums. Its length allows extended breakdown and re-entry sections rather than a single static loop.

Short, laid-back-titled cruiser evoking lowrider funk, with a slinky breakbeat groove and fat bass under electronic funk textures. Under two minutes, so it reads as a quick scene-setter rather than a full arrangement.

Anticipatory, countdown-flavoured breakbeat that suggests a launch into action — punchy drum break, driving bass and big beat electronic hits. At two and a half minutes it is a tight, purposeful cue for pre-event or starting-line footage.

Rock-leaning big beat where guitar-flavoured attitude meets chopped breakbeat drums and heavy electronic bass. Standard three-minute length with a confident, swaggering constant energy.

The briefest cue on the album at under a minute and twenty, a sleazy, oddball breakbeat sketch with a darkly comic title, built from grimy bass and chopped drums. Best used as a short stab of attitude or a transitional cue.