Distorted guitar riffing and hard-hitting kit at 140bpm in B minor, braced by orchestral strings and choir for a heroic-but-dark cast that matches the 'champion' title. Builds toward a decisive win-the-fight payoff, suiting victory footage rather than pure chaos.
A punishing 143bpm metal rock cue in B, driven by down-tuned electric guitar, bass and aggressive drums with orchestral strings sharpening the attack; no choir, so the texture stays raw and band-forward. The longest-running of the fast cues here, with room for a sustained chase or a full competition run.
At 129bpm in B flat minor this is the most anthemic cue on the set, pairing heavy guitar and strings with female vocals for a defiant comeback tone. Nearly three minutes gives it a real climb from wounded verse energy to a triumphant final chorus.
The slowest cue here at 108bpm in A, trading speed for weight — heavy mid-tempo drums, thick guitar and bass with orchestral strings, and no choir. Its stomping pace leaves more space between hits, making it the easiest of the set to talk over.
Title cue at a headlong 157bpm in D, the brightest key on the album, so the guitar, bass and driving drums read as adrenal and open rather than doomy. Nearly three minutes of relentless forward motion for a long run of speed footage.
The fastest cue on the album at 182bpm in G, a punk-speed metal rock charge with choir and strings lifting it into heroic territory. Just over two minutes of near-constant peak energy, best used where the edit is already cutting fast.