The only cue here fronted by saxophone: a 110 BPM chill house groove in A minor with live-feel drums, rounded bass, hand percussion and chopped vocal FX under a smoky sax line. Warmest and most extroverted track on the set, built for golden-hour terrace footage and open-road travel edits.
At 4:16 the longest and most spacious cue on the album, an E minor deep house bed at 108 BPM where clean electric guitar figures trade with pads over live drums, bass and shakers, with vocal snippets used as texture. Its length allows a slow build and a long plateau, good for extended sequences rather than short cutdowns.
The most stripped cue of the group — synths, live drums, bass and percussion with no vocal samples — giving a clean, dreamy A minor house groove at 108 BPM. That absence of vocal chatter makes it the safest bed for narration or dialogue under travel and design footage.
A feel-good D minor house groove at 108 BPM with synth chords, live drums and bass, layered percussion and sliced vocal FX; brighter and more casual in tone than the album's deeper cues. Its 3:34 length and easy forward motion suit everyday-luxury and home-life footage.
A short 1:53 edit in D minor at 107 BPM, the slowest and briefest cue on the release, with deep dreamy synths, live drums and bass and airy vocal FX. Built as a quick drop-in for trailers, stings and social cutdowns where a full arrangement would overrun.