The album's title cue and its brightest: kalimba plucks and horn/trumpet stabs riding a 110bpm tropical house beat in C#, with synth pads and hand percussion filling the top end. Sunlit and confident, it stays upbeat throughout rather than dropping to a dark middle section, making it a clean fit for resort and poolside footage.
The most stripped-back cue here — beat, bass, drums and synth only, at a relaxed 105bpm in B minor, and the shortest at 2:38. The minor key and inviting title give it a cooler, after-dark pull than the horn-led tracks, and the sparse arrangement leaves room over the top for narration or dialogue.
The slowest and most atmospheric track on the album at 95bpm in D#, adding strings and percussion to the tropical house pulse for a warmer, more cinematic sway. The Tulum reference and moonlit title point to dusk rather than midday — sunset terraces, infinity pools, slow-motion water.
At 3:21 the longest cue on the album, and the only one with electric guitar threading through the 105bpm groove in G minor. The minor key and guitar line give it a moodier, more romantic edge than its neighbours, with enough length to carry a full scene or a montage with several beats.
A 110bpm synth-and-beat cut in B minor — same core palette as "Come With Me" but faster and longer, pushing harder toward the dancefloor. The regretful title suggests a morning-after tilt to the minor harmony, useful when party footage needs a shade of consequence rather than pure celebration.