A 122bpm E minor blues-rock strut built on dirty drums, distorted bass, gritty electric guitar and Hammond organ, with wordless oohs and ahhs filling the gaps. The minor key and desert-tinged tension keep it edgy rather than celebratory, and at just over two minutes it works as a tight swagger cue for footage that needs attitude without resolution-heavy uplift.
The loosest, most playful cue on the set: 105bpm in A minor, riding a mid-tempo backbeat with distorted bass, raw electric guitar and group oohs and ahhs, and no organ so the guitars carry the hook. Its fun, sports-leaning confidence and 2:31 length make it a good bed for edits that need repeated energy hits rather than one big climax.
Close cousin to the other mid-tempo rockers but in G minor at 103bpm with Hammond organ back in the mix, giving it a slightly greasier, soul-tinged swagger. At 2:06 it is the shortest of the rock cues, useful when a promo or sports cutdown needs punchy attitude in a strict time slot.
The outlier and the brightest cue here: a 116bpm E major retro soul number with piano, horns and trumpet over live drums, electric guitar and bass, plus vintage-styled backing oohs and ahhs. Warm, optimistic and 60s-flavoured, its 2:55 runtime gives room for a feel-good build and a clean landing.
The heaviest and most brooding of the rock cues, at 119bpm in B flat minor with overt distortion, raw electric guitar, dirty drums, bass and piano colouring the low-lit vintage feel. Tension sits under the swagger throughout, making it suited to moody character introductions and after-dark footage rather than upbeat spots.