Funk It

Modern funk-pop at a slinky 103bpm in B flat minor, built on tight programmed drums, a round synth bass and clipped electric guitar with vocoded vocal hooks over the top. The slowest cue on the set, so it sits in a strutting, west-coast pocket rather than a rush, and runs a full three minutes for longer edits.

E minor funk-pop at 108bpm with a warmer, later-evening feel implied by the title: syncopated bass, chicken-scratch guitar, glossy synth pads and vocoded vocal textures. At 2:39 it's a compact, party-leaning cut that lands cleanly.

The fastest and darkest-tilting cue here — 113bpm in G minor, with a driving funk drum pattern, growling synth bass, rhythm guitar stabs and vocoded vocal chants suiting the title's swampy, mischievous edge. Longest track on the album at 3:06, giving room for a full arrangement arc.

A short, punchy 108bpm D minor funk-pop cut running under two minutes, with tight drums, elastic bass, funk guitar and vocoded vocal hooks. The brevity and the repeat-it title make it the natural pick for a fast social edit or a quick end-card burst.

Boogie-flavoured funk-pop at 107bpm in F sharp minor, with a stepping drum-and-bass groove, muted guitar comping and layered vocoded vocal parts in a clear west-coast lane. At 2:30 it stays light and playful throughout rather than building to a peak.