The album's title cue at a breakneck 175bpm in E minor, driven by surf-flavoured electric guitar, walking bass, combo organ, handclaps and a whistled hook. Minor key gives the fun a mischievous, cartoonish edge rather than pure sunshine, and at 1:51 it has room for a full build and button.
A 143bpm E major stadium stomper built on four-on-the-floor drums, fat bass, organ, synth and crowd-style claps, aimed at arena chant energy rather than surf comedy. Confident and repetitive by design, ending inside 1:40 for a sports package cut.
Bright G major coastal cruiser at 140bpm with twangy electric guitar, bass, organ and claps — the sunniest, most relaxed-feeling of the fast rock cues. Short 1:37 length suits a single montage sequence of movement and open road.
The outlier on the album: 120bpm in D minor with horns, organ, bass and claps leaning Latin lounge and Vegas caper rather than surf rock. Slinky and comedic, it plays sneaky-cool for a character who thinks they're smoother than they are.
Frantic 170bpm A minor surf-rock romp with reverby electric guitar, driving bass, organ and claps, and the album's longest running time at 1:57. The minor tonality plus the seaside-comedy title make it read as slapstick pursuit energy.
At 105bpm in A minor this is the slowest and heaviest-swaggering cue here, built on stomping drums, electric guitar, claps and oohs-and-ahhs backing vocals for a crowd-chant feel. Struts rather than sprints, which makes it useful under commentary.
150bpm F major rocker with electric guitar, organ, claps and ooh-ahh background vocals, and at 2:11 the most room on the album to develop and land. Relentlessly cheerful forward motion suited to process and machinery footage.
A tight 1:30 at 155bpm in C major, adding horns and a whistled line to the guitar, organ, bass and claps for a brassy, cheeky attitude. Straight-ahead major-key fun with a clean ending, built for a 60- or 30-second cutdown.
The shortest cue at 1:17, running 145bpm in B major with piano, synth, bass, claps and prominent whistling for an instantly hummable, advertising-ready hook. Compact and upbeat, essentially a spot-length pitch in music form.
Stripped to essentials — drums, bass, electric guitar, synth and claps — this 145bpm E major cut is tagged simply as rock and comedy, making it the most neutral and least kid-flavoured track on the album. Quirky and driving for 1:29 with a clean finish.