Deep

A 120bpm deep house cut in bright A major, built on a steady four-on-the-floor kick, rounded bass and chopped vocal samples used as texture rather than melody. Over four and a quarter minutes it holds a cruising after-hours groove, ideal for late-night city footage and bar interiors.

The fastest and most rhythm-forward cue here at 123bpm in B flat, its title pointing at a UK garage-leaning swing under the deep house kick, bass and vocal-sample hits. Four minutes of clipped, stylish momentum suited to street fashion and urban movement.

Minor-key deep house at 121bpm in C minor, darker and moodier than the major-key tracks on the album, with a driving 4/4 kick, warm sub bass and vocal fragments drifting through the synths. At 3:51 it's a tight, sultry bed for peak-hour club and neon night footage.

Shares the 121bpm C minor pulse and deep house palette of its neighbour but runs longer at 4:19, giving more room for the groove to breathe under narration. The title's documentary flavour suits candid street portraits and human-interest lifestyle segments.

At 123bpm in A major this is one of the brisker, brighter cuts, pairing a punchy four-on-the-floor kick and rolling bassline with glossy synths and vocal chops. Just under four minutes of forward drive for arrivals, entrances and travel departures.

The longest cue on the album at 4:53, sitting in D minor at 121bpm with a treble-tilted synth focus over the standard deep house kick and bass. Its length makes it a practical bed for extended edits and full-scene club sequences.

A minor deep house at 120bpm with a nostalgic slant implied by the title, its vocal samples and pads sitting over a patient 4/4 kick and bass. Four and a half minutes of reflective night-time groove for memory montages and looking-back sequences.

The shortest and most stripped cue here at 3:00, in D major at 120bpm and built purely from kick, beat, bass and synth with no vocal samples. That instrumental cleanliness makes it the most voiceover-safe option on the album for edit-length lifestyle spots.

A minor at 120bpm with a confident present-tense title, riding a steady four-on-the-floor kick, deep bass and synth layers punctuated by vocal fragments. Its 4:19 runtime works for sustained fashion and nightlife sequences that need attitude but not euphoria.

Bright D major at 122bpm and only 3:11 long, the most compact of the upbeat cuts, with a glossy synth top over kick, bass and vocal samples. Sultry and quick to the point, useful for perfume, beauty and short-form fashion edits.