Driving Celtic punk at 158bpm in C# minor, built on banjo and electric guitar over a hard-hitting drum and bass backbone with shouted male lead vocals. The minor key gives it a restless, road-worn edge rather than pure celebration, suiting footage of leaving town or pushing on regardless. Under three minutes, so it cuts cleanly into a montage.
The fastest cue on the album at a headlong 246bpm in A minor, with fiddle joining banjo, electric guitar, bass, drums and gang-style male vocals. At 3:38 it is also the longest, giving a full seafaring narrative arc from breakneck verse to hollered chorus. Best for chaos, chases and full-tilt celebration.
A major-key knees-up at 223bpm, fiddle and banjo trading lines over punk drums, bass and electric guitar with a romantic, sing-along male vocal hook implied by the title. Bright and unambiguously happy — the wedding-reception moment of the record. Compact at 2:46.
Fiddle-led Celtic punk in D at 224bpm, with banjo, electric guitar, bass, hammering drums and male vocals; the banshee title points at folklore menace dressed up as a party. Bright major tonality keeps it fun rather than genuinely dark, and 3:27 allows a long instrumental reel section. Good for supernatural-folklore content that needs energy over dread.
One of the slower, heavier cues at 134bpm in A minor, letting the banjo and electric guitar riffs land with weight over a stomping drum and bass groove and gruff male vocals. The minor key and envy-themed title give it a bitter, world-weary swagger rather than celebration. Works where you need attitude at a walkable tempo.
A mid-tempo 140bpm shanty-flavoured rocker in B minor, banjo and electric guitar over steady drums and bass with a lead male vocal built for crowd singing. The shortest track here at 2:34 and the most obviously nautical, with a swaying minor-key lilt. Ideal for harbour, deck or dockside pub footage.
Fast and defiant at 218bpm in D, driven by banjo, electric guitar, bass, punk drums and shouted male vocals. Major-key brightness keeps the outlaw theme triumphant rather than threatening. Three minutes of straight-ahead forward drive with no let-up.
A 148bpm mid-tempo stomp in D with banjo and electric guitar over solid drums and bass, male vocals carrying a night-is-coming anticipation. Less frantic than the album's fast cues, so it fits build-up rather than payoff — getting ready, heading out, dusk falling. Runs 3:09.
Bright A-major Celtic punk at 198bpm, banjo and electric guitar riding hard drums and bass with a storytelling male vocal. Fast but slightly less breakneck than the 220-plus cues, so lyrics and hooks stay legible under picture. A natural crowd-pleaser for comic or romantic mischief.
Dark-hued Celtic punk at 158bpm in A minor, banjo and electric guitar grinding over bass and drums with a growled male vocal and a damnation theme. The minor key and mid-fast tempo make it the album's most sinister ride rather than a party number. Three minutes with a firm ending.