Celtic Traditions

A bright C major jig at 100 BPM with Irish flute and fiddle trading the tune over acoustic guitar, accordion, bass and drums. Warm and storybook-friendly rather than driving, ending cleanly inside two and a half minutes.

Same 100 BPM band setup but set in E minor, giving the flute-and-fiddle melody a wistful, island-coast edge even while the mood stays happy and uplifting. Compact at 2:17, with a full live ensemble of guitar, accordion, bass and drums.

The bagpipe track of the set: pipes join flute, fiddle and accordion over guitar, bass and drums at a lifting 110 BPM in G. Proud and romantic, an obvious choice when you need the sound to read instantly as Celtic.

A march-feel Celtic cue at 105 BPM in F, with drums laying a steady processional pulse under flute, fiddle and accordion. Ceremonial and patriotic, the most parade-ready piece here at 2:14.

The moodiest slower entry, 100 BPM in A minor with no accordion — flute, fiddle and violin carry the tune over acoustic guitar, bass and drums. At 2:40 it has room to sit in a dim, atmospheric interior before warming up.

A fast 130 BPM reel in A minor where fiddle and Irish flute drive hard over accordion, guitar, bass and drums. Rowdy and celebratory, the second-quickest cue on the album and a natural fit for crowd energy.

Sunny D major tune at 110 BPM with flute and fiddle over accordion, guitar, bass and drums — one of the most straightforwardly happy pieces here. Patriotic without the march feel, and it lands squarely at 2:30.

A travelling 120 BPM cue in A minor, accordion-free so flute, fiddle and violin lead over guitar, bass and drums. The longest of the mid-tempo group at 2:43, with a purposeful onward drive suited to journeys.

The fastest track on the album, a 140 BPM A major dance tune with fiddle and Irish flute flying over acoustic guitar, bass and drums. Pure step-dance momentum in 2:21, joyous and unrelenting.

The longest cue at 3:14, 110 BPM in D with bagpipes alongside Irish flute, fiddle and violin over acoustic guitar, bass and drums. Moodier and more sentimental than the dance tunes, with enough length for a full scene or end-credit sequence.