Singer Songwriter Series Pete Berwick Black Sheep

Title-track statement of defiance: raspy male lead over gritty electric guitar, bass and drums in a vintage hard-rock band setup. Angry, chip-on-the-shoulder outsider energy delivered in a tight three-minute radio length, landing on a firm full-band ending.

Same four-piece vintage rock attack — snarling guitars, driving drums, gravel-throated vocal — but the mood tags add love and romance, so the frustration here is aimed at someone rather than the world. Three minutes of impatient, straight-ahead momentum with a band-played finish.

A pointed, accusatory rocker aimed at a specific betrayer, carried by dirty guitar riffing, walking bass and hard-hitting drums under a raspy vocal. Mid-length and unrelentingly hostile, useful when footage needs a villain called out.

The longest of the aggressive cuts at nearly five minutes, giving the guitar-bass-drums band room to stretch behind the raspy lead vocal. Reads as a loyalty-to-the-death anthem — good for sequences that need sustained defiance rather than a quick hit.

Four-plus minutes of blue-collar rock solidarity: crunchy electric guitar, bass and drums with a raspy vocal promising allegiance. Same rebellious band sound as the album's angry cuts but pointed outward as support rather than attack.

Moody, desperate rock ballad territory — raspy male vocal over electric guitar, bass and drums, trading the album's anger for emotional stakes and reflection. At four and a half minutes it has space for a slow-burning dramatic build toward a resolved ending.

Sombre, reflective rock with a worn raspy vocal consoling someone; guitar, bass and drums kept in service of the emotion rather than the riff. A companion piece to the album's other ballads, slightly shorter and more directly tender.

The comic relief of the album: a short, rowdy drinking song with piano joining the guitar-bass-drums lineup behind a grinning raspy vocal. Under two and a half minutes, feel-good and unashamedly barroom.

The most hopeful cue here — piano alongside guitar, bass and drums under a raspy vocal, moving from somber reflection toward an uplifting, affirming close. Mid-length and warm, suited to footage about family, continuity and second chances.

Nearly five minutes of hard-times rock balladry: piano and electric guitar with bass and drums under a weathered raspy vocal, dwelling on loss and a broken relationship. The album's saddest and most patient track, with room for a long emotional arc.

A six-and-a-half-minute protest song — raspy vocal, piano, guitar, bass and drums pushing an against-the-establishment message that alternates anger with reflection. The longest cue on the album, built for extended edits about injustice and working-class frustration.