A bright future-bass pop cue at 111 BPM in B flat minor, built on a punchy programmed beat, live bass and clean electric guitar with chopped vocal samples used as a hook. Sunny and affirmative rather than moody, it runs a tight 2:20 with a clear lift into its final section — good for anything celebratory and stylish.
The coolest-running cue on the set: a chillstep and trip-hop hybrid whose 144 BPM reads as a halftime, laid-back groove under crisp claps, sub bass and hazy guitar. Vocal chops sit low in the mix as texture rather than melody, keeping the 2:05 moody, seductive and easy to talk over.
The funkiest track here, pairing future-bass synth stacks with slap-forward live bass and rhythm guitar at a driving 123 BPM in F minor. At 2:40 it is the most overtly danceable and upbeat cue on the album, with glitched vocal fragments as its main hook.
A mid-tempo electropop groove at 110 BPM in C sharp minor, sitting between the funky and the flirtatious with live bass, clean guitar figures, synth pads and processed vocal samples. Its 2:50 length gives room for a gradual build, warm and feel-good but with a minor-key edge.
The title cue and the slowest at 102 BPM, leaning R&B and hip hop with a laid-back beat, claps, deep bass and sparse guitar under glitchy vocal treatments. Sultry, restrained and unhurried across 2:54, it stays in the pocket rather than climaxing, leaving plenty of midrange space.