South Side Beats

A dark, confident trap instrumental at 75bpm in G#m, built on booming sub-heavy drums, skittering hi-hats and haunting synth figures. It holds a steady swaggering groove rather than developing, leaving room over the beat for dialogue or a rap vocal.

The most introspective cue on the set: a mellow 85bpm hip hop beat in B flat with relaxed drums and moody, atmospheric synth pads and no bright hi-hat chatter. Contemplative and unhurried, it works as a thinking-space bed under narration.

A 75bpm G#m trap beat coloured by dulcimer and flute lines over booming drums and synth, giving the chill groove an ethnic, exotic edge. Sexy and laid back, it stays in one confident pocket for its full two and a half minutes.

The title cue and the slowest of the group at 70bpm in Bm, with heavy booming kicks, rattling hi-hats and dark haunting synths. Confident and party-leaning despite the tempo, its near-three-minute length suits longer edits.

The fastest cue here at 145bpm in D flat, pushing the booming trap drums and hi-hats into a driving, party-ready tempo while keeping the dark synth atmosphere. More propulsive and physical than its slower neighbours.

At 3:55 the longest track on the album, a slow 70bpm D flat beat that layers guzheng and strings over booming drums and hi-hats for an Asian-tinged, sensual chill groove. Its length and relaxed pulse make it a natural long-form bed.

A brisk 125bpm trap cue in Dm where guzheng and koto lines ride over booming drums and tight hi-hats, blending East Asian textures with club energy. At 2:20 it is one of the shorter, punchier options on the album.

A 75bpm E flat beat that widens the palette with strings, santoor and panpipes over booming drums, hi-hats and synth, giving the chill groove a warm, worldly lilt. Moody and sexy but never aggressive, it sits comfortably under picture.

The shortest cue at 1:58, a 75bpm Am beat with erhu and harp threading through booming drums, hi-hats and synth for a bittersweet, exotic chill feel. Its compact length suits ad cutdowns and short-form social edits.

An 80bpm beat in F, the only major-key cue in the batch, pairing booming drums and hi-hats with moody synth for a slightly warmer, more open-hearted take on the album's chill trap sound. Relaxed and steady, it holds a single groove throughout.