A 120bpm trap beat in a minor mode, built on brooding synth lines over heavy 808 low end, moving at a slow, swaggering pace rather than a frantic one. The long runtime holds a steady, unhurried groove with room for rap vocals or narration on top. Suits streetwear content, late-night city driving footage and defiant character introductions.
Faster and harder-hitting at 142bpm, with kick and snare pushed forward for a marching, aggressive trap feel in D# minor. Dark and moody but club-ready, the near-four-minute length gives space for a rapper or a long edit sequence. Works for fight-sport promos, gaming highlight reels and confrontational scenes.
The most compact and quickest cut here at 148bpm and under two and a half minutes, driven by percussion patterns over a dark minor backdrop. Its title and brevity make it useful as a closer, tag or hard-cut edit rather than an underscore bed. Good for episode-ending stings, skate edits and abrupt tonal turns.
A hazy, laid-back 130bpm trap groove with accented hits punctuating a heavy, slow-rolling 808 foundation. The title points to the album's woozy, narcotic side — moody and sedated rather than combative. Fits stoner comedy, slow-motion night footage and chilled lifestyle vlogs.
At 130bpm with chopped vocal samples and effects colouring the beat, this is one of the album's longer and more atmospheric cuts, running close to four minutes. The processed voices give it a spacier, more textural character over the same dark 808 low end. Suits fashion film, nightclub interiors and moody documentary transitions.
A textbook modern trap beat at 130bpm: fat 808 sub-bass, sharp claps and a heavy programmed kit locked into a laid-back but weighty pocket. Nearly four minutes of consistent groove makes it a reliable rap instrumental or long-form underscore. Works for street interviews, real-estate flex content and urban travel footage.
Slow and menacing at 120bpm in D minor, leaning hard on 808 and bass so the low end carries the whole track. The title signals aggression delivered at half-speed — pressure rather than panic. Good for villain entrances, heavyweight sport intros and dark crime documentary segments.
A 136bpm trap cut sitting in a B flat centre, with 808 sub-bass doing the heavy lifting under a chilled, hazy groove. The cannabis-referencing title matches the album's smoky, mysterious tone. Suits nightlife b-roll, dispensary and lifestyle branding, and laid-back party scenes.
Fast rolling hi-hats and cymbal work define this 140bpm D minor beat, giving it the busiest top end on the album over a dark, heavy foundation. Authoritative and confident in line with its title, and long enough to carry a full verse structure. Works for law-enforcement documentary, drill-adjacent rap vocals and high-energy sport cutdowns.
The fastest and one of the shortest cues here at 150bpm and 2:33, with edgy synth lines over a hard trap kit in D minor. Its brevity and pace make it a punchy, unsettling insert rather than a long groove bed. Suits horror-tinged rap visuals, Halloween content and tense chase edits.