A mid-tempo D minor blues shuffle rebuilt on a programmed beat, with Hammond organ, distorted electric guitar, harmonica and a lead male vocal riding on top. Struts rather than broods — the swagger stays constant across nearly four minutes, making it a solid full-length walk-and-talk bed.
The most rustic cut here: dobro, acoustic and steel guitar with wood block percussion over a loose electronic pulse, plus a laid-back male lead vocal. At 103 BPM in E minor it lopes rather than drives, fitting dusty small-town or Western-flavoured comedy.
An instrumental at 120 BPM in D minor where dobro and steel guitar rub against distorted electric guitar, Hammond, harmonica and chopped vocal samples over a club-leaning beat. Party energy with a dirty roots edge — no lead vocal, so it sits comfortably under dialogue or narration.
The darkest, slowest-burning vocal track: G minor at 96 BPM with harmonica, distorted electric guitar and a sultry male lead over a spare beat. Moody and seductive rather than fun, suited to noir-tinged drama and late-night interiors.
The fastest and longest cue on the album — 128 BPM in E major, instrumental, built on a driving beat with funky electric guitar, bass and Hammond organ. Sexy and relentless with four minutes of runway, ideal for extended edits that need momentum without a vocal competing.
Banjo and harmonica set against distortion and a stomping programmed beat, with a male lead vocal, at 100 BPM in C minor. The country-blues instrumentation plus dramedy character makes it the album's rowdiest character piece.
An instrumental at 122 BPM in D minor mixing electric guitar, bass, piano and harmonica with vocal samples over an uptempo beat. Bright and funky despite the minor key, with the sampled vocal treated as texture rather than a lead — good for dialogue-friendly high-energy cuts.
A four-minute instrumental in E at 100 BPM that pulls in steel guitar and dobro alongside electric guitar, organ and harmonica over a steady beat, with vocal samples as hooks. Relaxed but purposeful, and long enough to carry a full scene or extended narration.
Instrumental blues-electronic in D major at 115 BPM, with electric guitar, bass, piano, harmonica and vocal samples over a funky beat. Despite the lonesome title it plays sly and playful, better for wry comedy than genuine heartbreak.
Moodier southern groove in F at 100 BPM, with Hammond organ, harmonica, bass and electric guitar over a beat, using male vocal samples as texture. The most emotional and seductive of the instrumentals, holding a slow-burning atmosphere for almost four minutes.
Acoustic guitar and banjo with harmonica over a modern beat and bass, in bright C major at 119 BPM, with male vocal samples as ear candy. Despite the title it is one of the brisker cuts — folksy and good-humoured, easy under commentary.
The shortest cue here: 110 BPM in E minor, banjo and mandolin against Hammond organ, electric guitar and beat, with vocal samples and a featured guitar solo. Deeper and more sensual than the album's comic tracks, and its three-minute length makes it a tight trailer or promo bed.