The album's fastest cue: 125 BPM synthwave in C# minor driven by a four-on-the-floor kick, arpeggiated bassline and processed vocal samples. Bright and propulsive rather than brooding, it suits speed and adrenaline imagery more than moody atmosphere.
Same 110 BPM mid-tempo pocket as its neighbour but set in G minor, with arpeggiated synth bass, drum machine beat and vocal-sample colour. Warmer, more summery in intent per its title — a golden-hour counterpart to the highway cue.
The slowest and shortest cue here: 85 BPM in A# / B flat minor, a half-time synthwave groove built on steady kick, deep bass and arpeggiated synth figures. Cooler and more spacious than the faster tracks, which leaves room over the beat for narration or dialogue.
An 85 BPM retrowave piece in D# minor, the darkest-titled cue on the set, pairing a slow 4/4 kick with sustained synth pads, arpeggios and vocal samples. The unhurried tempo and cinematic sheen suit wide skyline establishing shots and slow-motion imagery.