80s Synthpop

Fast 147 BPM synthpop in B flat minor built on a punchy synth bass, programmed drums and handclaps driving a four-on-the-floor disco pulse. Bright arpeggiated synth lines keep it playful rather than dark, and at just under three minutes it works as a self-contained high-energy cut.

The longest and most patient cue here: 123 BPM in B minor, over four minutes of layered synths, sequenced bass and steady electronic drums that build across a full arrangement. Its slower tempo and length make it the most cinematic retrowave piece on the set, with room for scenes to breathe.

Driving 140 BPM synthwave in E flat minor that adds electric guitar over the synth bass and gated-sounding drum programming, giving it more rock bite than the purely electronic tracks. Short and urgent at 2:44, it stays at pace throughout.

The fastest cue on the album at 151 BPM in B minor, all synth, bass, beat and drums with no guitar, pushing a relentless retrowave pulse. Bright and slightly frantic, it suits cuts that need constant forward motion for three minutes.

Mid-tempo 125 BPM synthwave in B flat minor where electric guitar sits alongside sequenced synth bass and electronic drums for a classic after-dark city feel. The most relaxed groove on the album and the shortest at 2:43, making it an easy bed for narration or dialogue.