Reggaeton-leaning Latin pop at 102bpm in D minor, built on nylon-string classical guitar figures over a dembow-style beat, round bass and layered percussion with synth sweetening. Bright and flirtatious rather than aggressive, it holds one confident groove for two and a half minutes, making it easy to cut to picture.
The horn-carrying cue of the set: trumpets and brass stabs sit on top of classical guitar, reggaeton beat and percussion at a relaxed 100bpm in D minor. The title's shade-and-tropics contrast suits footage that mixes street life with sunshine, and the brass hits give editors clear accent points.
Named for the classic Latin bass-and-percussion pattern, this is the most rhythmically driven cue at 110bpm in A minor, with piano riffs, guitar, horns and a punchy beat. Its short 2:27 run and constant forward push make it a natural for fast, upbeat cuts.
The chilled, moodier outlier: 104bpm in A minor with guitar, soft beat, bass, percussion and atmospheric synth, tagged beach and reflective rather than party. At 3:16 it is the longest cue here and has the most room to sit under narration or a slow sunset sequence.
The title cue, at 100bpm in B minor, is piano-led over reggaeton beat, bass and dense percussion with synth colour — no guitar, so the keyboard hook carries it. Warm, playful and hip-shaking, it works as the album's signature summer statement.
By far the fastest track at 130bpm in C# minor, pairing guitar and Latin percussion with braams and modern synth weight for a Brazilian club-night flavour. The low brass-style hits give it more punch and edge than the rest of the album, suiting night footage and hard cuts.