The brightest and fastest cue on the set at 102 BPM in C# minor, pairing an old-school boom-bap beat and round bass with live horn stabs, nylon-string classical guitar and bongos, plus a warm organ pad underneath. It struts rather than builds, holding a sunny, hip-swinging groove for its full 2:43. Suits beach and street-life footage, travel reels through Latin America, and anything that wants confidence without menace.
The outlier on the album: 90 BPM in F minor, trading the sunny nylon guitar for chugging electric guitar riffs over hard drums, heavy bass and aggressive brass. Serious and combative rather than feel-good, it drives forward with a training-montage insistence and holds tension across its 2:32.
A laid-back 91 BPM groove in B minor with bongos and percussion, thick bass, classical guitar figures and piano comping under punchy horn lines. The minor key and the crime-flavoured title give it a slightly sly, streetwise swagger while the beat stays bouncy and good-humoured across 2:30.
At 95 BPM in D minor this is the horn-forward cue of the group, with trumpet leading over brass section stabs, piano, guitar and a mid-tempo old-school beat. Feel-good and steady with a mariachi-tinged brightness in the lead line, it sustains one confident groove for 2:36 rather than developing dramatically.
The most distinctly folkloric cue here: 90 BPM in A minor, with accordion joining classical guitar, piano, bongos and horns over a relaxed hip hop beat. The slower tempo and accordion colour push it toward barrio and neighbourhood storytelling, warm and easygoing across a tidy 2:30.