29 cues
At 135bpm in F this is one of the livelier tracks, driven by piano, bass and drums with bells sparkling on top and strings warming the chorus sections; scattered sound effects keep it playful. Big-hearted and a little goofy, it fits feelgood family footage that needs momentum.
The fastest and sunniest cue on the set: 160bpm surf-tinged garage rock in bright A major, driven by kit, walking bass, twangy electric guitar and vintage keys. No mystery angle here — it's pure snack-ad silliness that runs hard from the top and lands on a clean button.
A brisk 120bpm acoustic folk cue in E, built on strummed guitar with electric guitar fills, piano, light strings and a steady band groove. The tone is sunny and innocent rather than rootsy-rowdy, and at 2:13 it's the longest cue here — room for a full lifestyle spot or a two-scene montage. Suits family footage, food prep and travel-by-rail imagery.
The outlier on the album: a 185bpm indie-rock burner in E minor driven by fuzzed, distorted electric guitar, claps and shouted vocal samples rather than the horn-and-breakbeat funk of its neighbours. At just over two minutes it is a flat-out sprint with no let-up, built for fast cuts.
The only major-key cue here — 100bpm in A, with a gentle trap beat, sweet synth and string lines over soft bass. Innocent and hopeful rather than comic-dark, the brightest option on the album. Suits children's content, birthday and wish-fulfilment moments, and warm-hearted brand storytelling.
A 118bpm A minor cue with a reggae-tinged upstroke feel, acoustic guitar, bongos, drums, claps and bass topped by a bright trumpet line and warm synth. The soulful, funky lilt is the most overtly feel-good moment on the album, suiting beach bars, diner scenes and easy-going comic interludes.
Short, bright 95 BPM C major spot built on claps, stomps, marimba, mandolin and playful piano with light strings — deliberately naive and toy-like. At 1:40 it is cut to advertising length for family, kids and feel-good retail messaging.
A bright G-major acoustic guitar stroll at 118 BPM, carried by hand percussion, a whistled hook and a light saxophone line for a slightly wry, comedic lift. Under two minutes and cheerfully self-contained, it suits everyday-life storytelling where the tone is warm but never sentimental.
Bright G-major piano-and-string-quartet cue at a walking 120 BPM, cheerful and unhurried with a feel-good lift. Violin, viola and cello frame the piano in a chamber setting that suits domestic milestones rather than grand drama.
The brightest and most overtly playful track on the album, bells and vibraphone over light drums at 114bpm in C major, with no drone and no mystery in the tagging. Cheerful, childlike and a little comic, cut for family advertising, toy and product spots and kids' content.
A brisk 96bpm ukulele strum in A with claps, kick and bass under bright piano and glockenspiel sparkle, the shortest cue on the set at just over two minutes. It stays light and cheerful throughout with a clean feel-good landing, and the childlike glockenspiel colour makes it read as innocent rather than adult. Fits family retail spots, kids' programming beds and quick lifestyle montages.
The slowest and most tender track at 79bpm in C, led by vibraphone and vibes over soft piano, guitar, bass and light claps. Sentimental rather than bouncy, with an emotional undercurrent that suits reflective, heartfelt storytelling.
Comic mid-fast orchestral cue in C major at 130bpm, pairing pizzicato-leaning strings and cheeky brass stabs with theremin for an off-kilter picture-postcard suburbia. Whimsical and tongue-in-cheek, ideal for scenes where an ordinary neighbourhood hides something odd.
Warm, romantic indie-rock in G at 132 BPM, pairing piano and bells with a steady guitar-bass-drum groove for a sweet, innocent optimism. This is the first of two alternate versions of the same cue, running 2:14 with a clear feel-good payoff.
The quirkiest and quickest of the mystery cues at 128bpm in C minor, driven by pizzicato strings and finger snaps with mallets and vibraphone picking out the top line. Comic-sneaky rather than threatening, built for tiptoe investigation, hidden-camera reveals and light-hearted whodunnit beats.
A C minor Parisian character piece at 100bpm with accordion, fiddle and oboe traded over piano and light drums, tipping between romantic-comedy warmth and a slightly somber, mysterious shade. The longest cue on the set at 2:51, it suits a wistful continental interlude or an eccentric foreigner-abroad gag.
A brisk 142 BPM waking-up cue in G, with marimba and pizzicato strings over sustained strings and bass and no drum kit listed, giving it a lighter, more airy tread than its tempo suggests. Tagged emotional alongside the humour, and at 2:23 it has room to grow, suiting sunrise routines and gentle first-thing-in-the-morning comedy.
Relaxed 102 BPM ukulele cue in B flat with kalimba, xylophone, hand percussion and whistling for an island, Caribbean-tinted lilt. Sweet and unhurried, it works as a holiday or children's bed where the tempo needs to stay easy.
The slowest and most character-driven cue at 86bpm in G, where a theremin's wobbling swoon sits over pizzicato strings, marimba, shaker and bells for a lovesick, slightly woozy comedy feel. Ideal for dopey infatuation, googly-eyed reaction shots and awkward romance beats. Two minutes, ending resolved.
Open, cheerful indie in C at 132 BPM with piano, xylophone, bass and drums and no guitar listed, giving it a lighter, more childlike sparkle. At nearly three minutes it has space to develop, staying playful and quirky throughout.
Bright indie-pop rock at 134 BPM in F, built on bouncing piano, clean guitar, bass, kit drums and bell accents for a wide-eyed, uncomplicated lift. Short at just over two minutes and shaped for advertising, it stays cheerful throughout and lands cleanly.
Same 116bpm and key of E as its neighbour but leaner, built on ukulele, acoustic guitar, bass, shaker, claps and a whistled hook over a full drum kit. Free-spirited and breezy, holding one confident level rather than swelling. Works for road trip footage, outdoor apparel ads and carefree youth-oriented content.
A brisk 140bpm pizzicato string romp in B flat, with marimba doubling the tune and shaker plus plucked bass keeping the shuffle tight, bells adding sparkle on accents. Under two minutes and consistently upbeat, it plays sweet rather than mischievous — good for a gently comic character introduction. Ends on a clean button.
The one instrumental on the set: strummed acoustic guitar, bass, kit and handclaps at a brisk 122 BPM in bright C major, with no lead vocal to compete with dialogue. Its two-minute run stays sunny and uncomplicated from top to tail, ideal for family and kids-brand footage.