41 cues
A 91bpm F minor groove with horns, strings, electric guitar and vocal samples over a forward-leaning boom-bap beat — one of the more feel-good, motion-driven cues on the album. Steady energy across two and a quarter minutes with a clean finish.
The most classically old-school entry: 94bpm in Dm, the slowest and shortest cue here, with brass and horns, strings, female vocals, shouts, crowd and scratching over a head-nod beat. Its relaxed tempo gives edits more room to breathe while keeping the album's hyped attitude.
Funky 92bpm cue in F minor where Rhodes and Hammond electric keys sit against electric guitar, trumpet lines and a laid-back hip hop drum groove. Slyly cool rather than aggressive despite the title, and at 2:52 it gives room for a caper-style scene or a slow-motion entrance.
Laid-back 92bpm boom-bap in B minor with a walking bass, dusty drum break, jazz piano chords and a saxophone line over chopped vocal stabs. Short and loop-friendly at just over two minutes, it stays cool and unhurried rather than building, making it easy to cut under narration.
A 96bpm East Coast hip hop groove in C, built on a boom-bap beat and round bass with warm strings, bell figures and a jazzy saxophone line on top. Bright and unhurried, it suits breezy lifestyle footage where the sax carries the personality rather than the picture.
The longest cue here at nearly four minutes, a 105bpm A minor groove led by electric bass, organ stabs and guitar with old-school record scratches and vocal sample punctuation. It has more dramatic weight than the comedy cues but keeps a funky strut, and the length allows for edits over long-form footage.
A 90bpm C# minor head-nodder built on upright-feeling bass, crisp swung drums, saxophone and scratch-style vocal samples, with no keys to crowd the middle. At 2:36 it is one of the longer cuts here, giving room for a spoken segment or a two-part montage.
A short, wry 99bpm boom-bap cue built on pizzicato strings over a swung beat with chopped vocal samples, sitting bright in B flat. The tone is smirking and light rather than tough, and at under two minutes it works as a self-contained comic sting.
At 91bpm in F minor this is the plushest cut on the album, pairing swung drums and bass with strings and woodwind lines for a expensive, slightly melancholy jazz feel. Good for high-end lifestyle content that wants attitude without brightness.
Jazzy 90bpm boom bap in B minor where a smoky sax line and clean guitar trade over crate-dug drums, walking bass and vinyl scratches. At nearly three minutes it's the loose, late-night city cue of the set — more atmosphere and attitude than hook.
Funk-leaning hip-hop instrumental with a springy bassline feel and a swaggering mid-tempo strut. Across 2:32 it keeps a confident, danceable pocket rather than building to a peak. Good for fashion and product reveals, comedy walk-and-talks and retro-styled ad spots.
The slowest groove on the album at 85bpm, an E minor head-nodder with horn and saxophone lines over guitar, laid-back drums, fat bass and scratches. Loose, soulful and old-school, it sits back in the pocket and leaves plenty of space above the beat.
Afro-tinged hip-hop instrumental built on looping percussion and a laid-back beat, cool and unhurried rather than aggressive. At 2:42 it is one of the longer cuts here, giving room for a full montage without edits. Suits streetwear brand films, dance and culture segments, and travel content with an African or diasporic angle.
A brisk-feeling but slow-tempo 85bpm cut in B flat minor where horns and trumpet stabs sit over beat, bass and synth with vocal sample chops. The brass gives it the sharpest hook of the funky cues, and at 1:43 it is built for tight edits.
Classic East Coast boom bap at a head-nodding 90bpm, built on a minor-key piano loop, fat bass and turntable scratches with chopped vocal samples for punctuation. The C# minor tonality gives it a cool, slightly shadowy swagger rather than outright aggression, and at 2:48 it has room to ride a full montage.
Slightly brighter at 96bpm in C# minor, pairing saxophone with muted trumpet over a bumping bassline and dusty breakbeat, punctuated by vocal chops. The romantic title and horn pairing give it a flirtier, warmer feel than the rest of the record.
A 100bpm E flat minor after-hours groove with organ, synth, bass and vocal samples, balancing the album's funky swagger with a moodier, more emotional edge. Two minutes of smoky night-time atmosphere that stays cool rather than aggressive.
The darkest and slowest track here: 81bpm in B flat minor, pared back to just a heavy lo-fi beat and bass with a film-score edge. Its minimalism and menace make it the obvious pick for tense narration or a slow-burn reveal.
Darker, street-level hip-hop instrumental with a menacing edge — a shadowy loop and hard beat rather than anything melodic or warm. Its 2:34 length holds tension without ever brightening. Built for crime documentary, true-crime reconstruction and gritty urban night footage.
Percussion-forward hip-hop bed centred on conga patterns over a mid-tempo groove, relaxed and organic in feel. Runs 2:31 with a consistent pocket and little dynamic drama, which makes it easy to trim under narration. Suits cafe and wellness content, market scenes and daytime lifestyle segments.
Short, punchy hip-hop instrumental at 1:41 — the briefest cut on the album, essentially a beat sketch with drums and a repeating hook figure. The nineties-throwback title points to a retro boom-bap attitude. Best used as a stinger, social bumper or quick fashion cutaway where a full-length bed would be wasted.