57 cues
At 90bpm in G major this is the album's warmest and fullest cue, adding strings, drums and percussion to the acoustic guitar, drone and chanted male vocals. The arc is openly emotional — heartfelt and hopeful with a somber undertow — and at 3:07 it has room to grow before it settles. Fits reunion scenes, memorial tributes, romantic drama and long-form brand storytelling.
The clear outlier: a slow 73bpm acoustic piece in E flat for acoustic guitar with electric guitar colour, intimate and unhurried with a sad, reflective undertow. Sparse enough to sit under narration, it suits quiet emotional beats and rural or memory-led imagery.
A brisk 120bpm acoustic folk cue in E, built on strummed guitar with electric guitar fills, piano, light strings and a steady band groove. The tone is sunny and innocent rather than rootsy-rowdy, and at 2:13 it's the longest cue here — room for a full lifestyle spot or a two-scene montage. Suits family footage, food prep and travel-by-rail imagery.
The driving cue of the album at 140bpm in G sharp, with drums and bass under fast ukulele and mandolin strumming and acoustic guitar. Built for motion — road trips, open highway drone shots and any travel edit that needs sustained forward propulsion.
A gentle 90bpm indie folk cue in D built on acoustic guitar, dobro and shaker, with cello, live strings and piano lifting the second half and wordless oohs and ahhs behind a male lead. Warm, reflective and romantic rather than driving, with a clear inspirational arc across three minutes.
The brightest and quickest of the emotional cues, 117 BPM in D on solo acoustic guitar, with a warm forward-moving picking pattern across just under two minutes. Feeling is affectionate and uplifting rather than melancholy, suited to footage of people reuniting or moving on well.
A mid-tempo indie folk song in C built on strummed acoustic guitar, bass and a stomp-and-clap backbeat under a warm male lead vocal. The mood is heartfelt and outdoorsy with a slightly somber edge, resolving on a settled final chord. Suits hiking and road-trip footage, rustic wedding films and outdoor apparel spots.
Fingerpicked acoustic guitar in G at a walking 120, coloured by cello, clarinet and soft synth pads that keep the mood somber but warm. The shortest cue on the set at 2:24, it sits low under narration and leaves the melodic weight to the woodwind and strings rather than a lead line.
An unhurried 100bpm indie folk stroll in E, built on fingerpicked acoustic guitar, warm melodica lead, soft kit and claps over a rounded bass. Reflective but good-natured, it suits small-town Americana footage and gentle family storytelling rather than big lifts.
A warm 122 BPM indie folk song in C built on strummed acoustic guitar, bass and a straightforward drum kit under a male lead vocal, with an ambient opening that fills out into a heartfelt full-band chorus. The shortest of the guitar-led songs here, it keeps a hopeful, homespun feel rather than a big synth lift. Fits engagement and wedding films, small-town or family storytelling, and outdoor lifestyle brand spots.
A 120bpm indie-folk song in C led by male vocals with harmony backing, acoustic guitar, bass, kit drums and a warm pad underneath. Over 3:07 it moves from reflective, intimate verses to a fuller cinematic chorus — domestic, romantic and unhurried, as the title suggests.
The longest cue on the set at 4:30, moving at 94bpm in E with acoustic guitar and dobro over shaker and a full drum kit, cello and strings widening the middle section. Its length gives room for a slow-burn journey structure — searching, then settling, with airy background vocals carrying the payoff.
Bright, mid-tempo acoustic pop in C major built on guitar, piano, mandolin and ukulele over a steady 4/4 beat, with warm male lead and stacked harmonies. Reassuring and corporate-friendly, it reads as everything-is-fine optimism.
At 70 BPM this is the slowest and most cinematic track on the album, pairing acoustic guitar and piano with brushed drums, bass, a male lead vocal and backing oohs. It moves from intimate and somber toward something inspiring and romantic, suiting a scene that turns a corner emotionally.
At 80 BPM in E flat this is the slowest and most spacious cue on the album — acoustic guitar, piano and light beat under wordless ooh-and-ahh vocal pads, tagged for ocean and water imagery. Three minutes of reflective, unhurried movement that suits closing sequences, as the title suggests.
A mid-tempo acoustic folk-pop song at 90 BPM in F, built on strummed acoustic guitar, electric guitar fills, claps, bass and drums under a warm male lead vocal. The mood is affectionate and slightly longing, sweet rather than sentimental, and it sits comfortably under wedding footage or a caring brand story.
A solo acoustic guitar piece at a walking 110 BPM in bright B major, warm and close-mic'd with no drums or vocals to compete with dialogue. The mood is contented solitude rather than loneliness — relaxed, reflective and easy on the ear across a short 2:15.
A drumless 122 BPM D major piece carried by acoustic guitar, piano, strings and brass, so it moves without ever thumping. The absence of a kit makes it the most voiceover-transparent cue on the record. Good for narrated corporate presentations, gentle explainers and tender scene underscore.
Bright uptempo folk-pop at 130 BPM in E, with male vocals, piano, acoustic guitar and clapped backbeat. The after-the-storm title points at recovery and relief — well suited to a turning-point montage that opens out into optimism.
A relaxed 94 BPM acoustic guitar figure in F sits over sustained pads and a low drone, with soft drums and bass keeping an easy pulse. Warm and unhurried, it plays as end-of-day contentment rather than drama, and its short 1:52 length suits a tight edit.
A mid-tempo 92bpm cue in C where mandolin sits alongside acoustic guitar and piano over a full rhythm section of bass and drums, with male vocals and wordless backing harmonies. Intimate and small-scale as the title suggests, warm and grateful rather than sweeping.
The most upbeat and playful thing on the record — 2:51 of harmonica, acoustic and electric guitar, bass and drums with male lead and female backing, rustic and hopeful. An encouragement song built for a quick, sunlit montage of getting back on your feet.
The album's gentlest cue at 94bpm in D, with whistling and melodica floating above lightly picked acoustic guitar, soft drums, bass, shaker and claps. Nostalgic and childlike in the best sense, ideal for childhood memory sequences, slow-motion summer footage and warm reflective openings.
Forward-leaning acoustic guitar with bass and drums at 120 BPM, set in the slightly unusual key of D flat for a soft, rounded warmth. The title's momentum matches a steady, uncomplicated groove built for progress montages.
Acoustic guitar alone at 117 BPM in G, relaxed and gently quirky — the countryside picture of its title, calmer than the band tracks but with a light skip in the picking. Sits easily under narration for pastoral and farm-to-table imagery.
Reflective solo fingerpicking at an easy 100 BPM in A, a full two minutes of intimate, unhurried travelling motion. The title's sense of pages and places suits journey footage where the mood is thoughtful rather than triumphant.
The most stripped cue here: acoustic guitar and shaker only, with male vocals, at a relaxed 88 BPM in C. Introspective and chill, it stays intimate for its full two minutes rather than building to a peak. Good for reflective voiceover-adjacent sequences, quiet nature footage and slow-life brand storytelling.
A bright G-major acoustic guitar stroll at 118 BPM, carried by hand percussion, a whistled hook and a light saxophone line for a slightly wry, comedic lift. Under two minutes and cheerfully self-contained, it suits everyday-life storytelling where the tone is warm but never sentimental.
The slowest cue here at 85bpm in C, with slide guitar over acoustic strums, handclaps, strings and a steady 4/4 kick, and wordless backing vocals instead of a lead. Its relaxed sway feels warm and hearth-like, ideal for tender, feel-good imagery.
The album's shortest and slowest piece: a 67bpm G major underscore of fingerpicked acoustic guitar, piano, bass and bells with soft male vocal and harmony layers. Tender and introspective, with no drum kit, so it sits easily beneath narration.
A 120bpm D-major indie folk piece with whistling and a male vocal over acoustic and electric guitar, melodica and shaker — the warmest, most nostalgic sunset-toned cue on the record. Fits golden-light travel imagery, romantic reunions and hopeful closing sequences.
A 135 BPM indie folk cue in D flat that layers acoustic and electric guitar with strings, piano, bass and drums under a male vocal, moving from an ambient introspective opening to a full, emotionally resolved finish. The string writing gives it the widest cinematic reach of the acoustic-led songs here. Suited to documentary conclusions, wedding ceremony recaps and inspirational brand storytelling.
A 90 BPM indie folk song in E with acoustic guitar, bass and stomp-clap percussion under male vocals, sitting slightly gentler than the album's faster cuts. The title's risk-taking optimism reads as hopeful but tinged with wistfulness. Works for leaving-home stories, coming-of-age montages and first-job or moving-day narratives.
At 124 BPM in B, this one trades pure comedy for something more emotional and moody, with wordless vocals and claps over acoustic guitar and drums. The longest cue on the set, it leaves room for a bittersweet turn before the uplift, suiting scenes where affection and loss sit side by side.
At 75bpm in G major, this underscore adds a light drum pulse to acoustic guitar, electric guitar, bass, piano and strings, with male vocals and harmonies floating above. Slightly more propulsive than the album's slowest beds, good for a scene that begins to move.
A slow 65bpm underscore in F# minor with acoustic and electric guitar, piano, bass, strings and a restrained beat, plus soft male vocals and harmonies. Moodier and more somber than its neighbours, useful for reflective or bittersweet turns in a story.
At 146 BPM in C# this is the briskest pulse on the album, though the palette stays intimate: acoustic guitar, piano, cello, strings, light drums and female vocals with ooh/ahh backing. The mood is moody and reflective rather than celebratory, giving nostalgic momentum. Suits coming-of-age montages, summer road-trip footage and youthful retrospective sequences.
The most driven of the feel-good cuts at 128 BPM in D, with a full kit under strummed acoustic guitar, claps-adjacent percussion and bell-toned xylophone and vibraphone sparkle. The title's small-town warmth plays as busy, sunny forward motion — good for community and hometown footage that needs pace.
A 115bpm cue in F stripped to acoustic guitar, bass and drums with male lead and group backing vocals — no strings or mandolin, so it reads leaner and more propulsive than its neighbours. Its climbing title matches a determined, straightforward forward push over 2:50.
The fullest of the calm cues: acoustic guitar and piano with cello, strings, bells, claps and background ooh-ahh vocals over a soft beat at 96 in A. Over 3:10 it leans more uplifting and hopeful than its somber neighbours, making it good for a warm payoff rather than pure underscore.
At 110 BPM in D this is one of the album's driving cuts, adding a full drum kit to the acoustic guitar, bass, stomps and claps behind the male vocal. Feel-good and uplifting with a friendship-themed lift, it's the longest-legged singalong on the record. Fits group adventure footage, sports team montages and celebratory wedding recaps.
At 2:31 the longest cue here, a 122 BPM D major singalong with male vocals, acoustic guitar, bass, drums and claps. Its title and warm, kid-friendly lift suit togetherness and community storytelling, and the extra length gives room for a full ad arc.
A 60bpm drumless underscore in E major with acoustic and electric guitar, piano, bass and strings supporting gentle male vocals and harmonies. Spacious and slow enough for timelapse and wedding ceremony footage, with a quietly hopeful lift.
Warm, feel-good acoustic pop at 90bpm in E major driven by guitar, piano, shakers, percussion and a full drum kit under male vocals with harmony backing. Positive and forward-moving without hurry — a natural fit for progress and fresh-start narratives.
Character-driven 117 BPM D major acoustic-rock with mandolin, electric guitar, strings and female vocal stylings over live drums. Cheerful and affectionate, suiting an underdog or misfit portrait as much as a straight summer montage. Works for indie trailers, TV drama transitions and warm consumer advertising.
The shortest cue at 1:52, a compact 124 BPM piece in F# with male vocals, piano added to the acoustic guitar core, and clapped rhythm. Romantic and uplifting, it works as a tight cutdown for a 60- or 90-second spot without needing edits.
At 68 BPM this is the slowest and most tender piece here, E major acoustic guitar with strings and soft brass colour over a restrained rhythm section. Nostalgic and emotional, ideal for absence, memory and letter-reading moments. Works under documentary interview, charity appeal or a quiet dramatic scene.
Slow 68 BPM acoustic folk in D, with fingerpicked guitar, cello and strings under wordless female vocals and ooh/ahh backing. The mood is tender and somewhat sorrowful rather than triumphant, with light drums and electric guitar filling out the second half. Fits wedding films, memorial tributes and reflective faith-based storytelling.