The most laid-back cue on the set: ukulele and mandolin picking over soft acoustic guitar and light hand percussion at a strolling 80bpm, with no drum kit to push it. Warm and unhurried in F, short enough to sit under a single scene of shoreline idling or a slow boat drift.
A mid-tempo 100bpm ukulele and mandolin groove with acoustic guitar, bass and shaker-style percussion holding a casual sway. The cantina title fits food, market and terrace footage — friendly and conversational rather than driving, with room over the top for narration.
By far the fastest cue here, a 180bpm ukulele and mandolin scramble in B flat with bass and busy percussion driving it forward. The Cajun-flavoured title and breakneck strumming suit comedy chases, time-lapse cooking and anything needing rustic acoustic momentum.
The country-leaning track of the group, tagged Americana and pitched at a gentle 80bpm in C with ukulele, mandolin, acoustic guitar, bass and soft percussion. Its easy morning warmth fits farm, rural and small-town openings and leaves plenty of headroom for a narrator.
A cheerful 120bpm strummer in F built on ukulele and mandolin with acoustic guitar, bass and light percussion. The friendliest, most sociable cue of the set — good for family gatherings, group activity footage and warm-hearted advertising.
A walking-pace 120bpm ukulele and mandolin groove in C with an Americana tilt, bass and steady light percussion keeping an even stride. Its regular forward motion suits walking, exploring and travel-transition footage where the picture needs a pulse but not a peak.
One of only two cues here with a full drum kit, this 120bpm track in F pairs ukulele and mandolin upstrokes with acoustic guitar and bass for a ska-tinted island bounce. The extra rhythmic snap makes it the most danceable of the relaxed cues, good for beach party and youthful lifestyle cutdowns.
The driving cue of the album at 140bpm in G sharp, with drums and bass under fast ukulele and mandolin strumming and acoustic guitar. Built for motion — road trips, open highway drone shots and any travel edit that needs sustained forward propulsion.
A 120bpm swung ukulele and mandolin feel in B flat with acoustic guitar, bass and light percussion, the shortest cue on the album at just over a minute and a half. Bright and optimistic in a way that suits sunrise, waking-up and fresh-start imagery, and its length makes it a natural fit for a short spot.
A slow 86bpm waltz-feel cue in C with ukulele, mandolin, acoustic guitar, bass and gentle percussion, and the longest running time on the album. Its lilting triple-time sway and autumnal title lend it a nostalgic, reflective edge distinct from the sunnier tracks here.