Fingerpicked acoustic guitar in G at a walking 120, coloured by cello, clarinet and soft synth pads that keep the mood somber but warm. The shortest cue on the set at 2:24, it sits low under narration and leaves the melodic weight to the woodwind and strings rather than a lead line.
An intimate acoustic guitar and piano bed over a gentle programmed beat, in E at 120, with synth texture filling the space rather than any prominent melody. Its chilled, introspective steadiness makes it a natural dialogue bed for wellness, medical and quiet outdoor footage.
The brightest, most commercial cue here: strummed acoustic guitar over a four-on-the-floor kick, claps and drums at 106 in A, aimed squarely at feel-good advertising. Positive and forward-moving from the top with no somber shading, it works as a ready-made ad bed at 2:33.
At 80 BPM in E flat this is the slowest and most spacious cue on the album — acoustic guitar, piano and light beat under wordless ooh-and-ahh vocal pads, tagged for ocean and water imagery. Three minutes of reflective, unhurried movement that suits closing sequences, as the title suggests.
The fullest of the calm cues: acoustic guitar and piano with cello, strings, bells, claps and background ooh-ahh vocals over a soft beat at 96 in A. Over 3:10 it leans more uplifting and hopeful than its somber neighbours, making it good for a warm payoff rather than pure underscore.
Acoustic guitar with bass, drums and bells at 120 in E — a band-based rather than beat-based version of the album's intimate sound, emotional and heartfelt but restrained. Tagged for technology and medical use, it holds a steady mid-level pulse across 2:33 without a big climax.
The clear indie-rock outlier: acoustic and electric guitars with full bass and drums at 106 in B, atmospheric and soaring rather than a dialogue bed. Its hopeful, motivating lift across 3:06 suits open-road and horizon footage where the music can lead.
Acoustic guitar, piano, bass, drums and claps at 109 in D, sitting between the album's indie-rock and underscore halves — a light band groove kept mellow and reflective. The hopeful title and tone make it a good bed for cautiously optimistic narration across nearly three minutes.
The longest cue at 3:27: acoustic guitar, piano, strings and synth over a soft beat at 98 in G, deliberately neutral and wide open for speech. Its broad mood tagging — news, weather, ocean, technology, wellness — marks it as the album's most utilitarian bed for long-form narration.
An energised advertising cue: strummed acoustic guitar with four-on-the-floor kick, claps, drums, electric guitar and strings at 120 in D, brighter and bigger than its 106 BPM sibling. Three minutes of sustained happy momentum, useful when the picture needs drive rather than a quiet bed.