37 cues
At 3:11 the longest cue on the album, a gently rolling B minor bed at 90 BPM where piano notes float over continuous drone and pad texture, matching the water imagery of the title. Its length makes it the practical choice for long-form narration or extended massage and meditation content. Fits spa and wellness visuals, underwater or coastline footage, and slow-motion nature photography.
The fastest and most purely orchestral cue on the album — 159 BPM in C major with piano, strings, brass and drums and no synth colouring. It pairs an intimate, reflective opening with a genuinely urgent, soaring push, ideal for city footage cut to motion.
The most intimate cue here: piano and solo violin over a drone, joined by claps and a light beat at a restrained 105 BPM in E minor. Reflective and emotional at the top, opening out into a soaring neoclassical lift without ever getting aggressive. Good for personal-journey storytelling, athlete backstory segments and narration-led brand films.
E minor at 76 BPM, with percussion and bass giving a slow undertow beneath marimba and arpeggiated synth. Somber and moody rather than tense, it works for underwater, deep-water or emotionally weighted passages that still need clear space for speech.
Solo felt piano in A flat minor, moving at a steady 118 with the softened, close-miked attack that muffles the hammers and leaves the room tone audible. The longest cue on the record, it has space to develop from a single repeated figure into a fuller, more hopeful statement, matching its title's sense of an idea taking shape. Suits footage of someone at work alone — sketching, building, writing.
Delayed electric guitar over bass, piano and cello, moving at a brisk 128bpm pulse that reads as gentle forward motion rather than drive. The title and D-major setting point to a closing, resolved feeling — a farewell that lands warmly. Suits final-scene montages and end-credit sequences where a story ties off.
The title cue and the longest track at 4:05, in A flat major at 130bpm with a beat supporting piano and the live string section — the most fully arranged and most openly emotional piece on the album. Its length allows a long build from intimate to cinematic, suiting a closing montage or end-credit sequence. Reads as nostalgic warmth rather than Nordic cold.
A 96 BPM cue in B flat built from piano, ambient strings and synth pad with no drum kit, so it drifts more than it drives. The cyclical title fits footage about growth, family and passing time, and the two-and-a-half-minute length allows a slow emotional build.
A slow-blooming ambient underscore at 80 BPM in E flat, built from low bass drones, sustained strings and a repeating synth arpeggio with piano dots on top. Warm rather than dark, it grows in density across four minutes without ever pushing to a peak, suiting footage of formation — nebulae, coastlines, time-lapse cloud.
At 2:36 one of the longer cues, moving at 120bpm in G# with piano over strings, pad and sub drone. The title's self-discovery angle and the extra length make it suitable for a journey arc — hiking, road or personal-growth footage that needs room to develop before it settles.
Post-rock build in E at 94bpm: piano figures and pads give way to acoustic drums, layered strings and electric guitar with wordless background vocals floating over the top. Nearly eight minutes of steady widescreen lift, ending in a full-band swell rather than a fade.
The title cue: felt piano alone in D flat minor at 118, and at 1:48 the most compact statement of the album's idea — beauty found in the noise and imperfection of the instrument itself. Reflective and unhurried rather than sad, with no percussion or strings to compete with dialogue.
The brightest and fastest of the set at 120bpm in A major, with piano and guitar over strings, synth and airy vocals but no drum kit, so the motion comes from the pulse of the parts. Named for the first dog in orbit, it carries wonder shaded with loss — good for hopeful archive montage or an uplifting brand story.
The most cinematic of the suspense cues: 125 BPM in F minor with drone, pads, bells and electric guitar over a driving soft beat, pointed toward investigation and unscripted drama rather than meditation. Tension is sustained and forward-moving, without a clear melodic lead to fight narration. Built for crime-series reconstructions, surveillance and stakeout footage, or a procedural evidence montage.
At 86bpm in C major this is the softest and shortest of the ambient pieces, piano and harp over synth pads and strings, hopeful with a slightly moody undertow. Its 2:36 length and open middle register leave clear room for narration. Works for patient-care and research films, quiet emotional reveals and delicate romantic scenes.
The fastest of the piano-led corporate cues here at 130 BPM in A, pairing repeating piano figures with sustained strings, synth pad and light percussion. Bright and forward-moving without becoming aggressive, it suits timelapse cutting and product reveals where the picture needs constant motion under narration.
The sparsest cue on the album — electric piano, synth and strings with no drum kit listed — at 110 BPM in B flat, intimate and reflective while keeping a shadowed edge. At 3:16 it functions as the quiet, breathing moment between the album's harder electronic pieces. Ideal for interview underscore, grief or memory sequences and slow emotional interludes.
G minor at 145bpm with a beat under interlocking piano and string lines — the title's weaving image matches the busy, patterned feel of the arrangement. Darker and more mechanical than its neighbours, it works well under process footage, craft or manufacturing sequences, or a noir investigation building steam. Just over three minutes and self-contained.
Warm 75bpm E flat post-rock cue that adds cello to the album's core piano, pad, strings, guitar and drum palette, with curious and outdoor-leaning colour. Tender opening that grows into a full, affectionate swell across nearly eight minutes.
D flat major gives this a warmer, slightly nostalgic tint, with piano and synth floating over drone at a walking 108 BPM. The title points at colour and light, making it a natural for saturated sunrise or bloom timelapse. Also useful for a photography brand piece or an art-and-design segment.
The fullest arrangement on the record: ambient electric guitar with bass, piano, drums and strings at 129bpm in B flat, giving it the widest lift of the set. Reflective but hopeful, building toward a shared high point rather than sitting still. Works for uplifting brand films and reunion or achievement footage.
Mid-tempo 75bpm post-rock in A flat and the one cue on the album that carries male vocals alongside wordless backing voices, over acoustic drums, piano, pads, strings and electric guitar. The most human and anthemic entry here, building to a soaring close.
A 106bpm ambient underscore in F#, piano and strings held inside pads and sub drone, running a compact 2:06. The quietest-feeling title on the album; use it where stillness itself is the subject and narration needs unobstructed space.
An instrumental cue at 100 BPM in A major, piano and cello over pulse, strings and guitar texture with no vocal layer. The bright key and urban title point at glass, reflection and modern architecture — clean and neutral enough to sit under dialogue.
At 79 BPM in B flat, this is the most textural cue on the album, adding designed SFX to the drone bass, strings, piano and arpeggios for a living, microscopic quality. Curious and inspiring rather than eerie, it fits close-up biology, lab work and growth visuals across its 4:26.
95bpm post-rock in D that balances the album's soaring band sound — acoustic drums, electric guitar, piano, pads, strings, airy background vocals — against somber, introspective tags. A cleansing arc: sparse and reflective before it opens out.
A minor ambient cue where piano notes hang in slowly modulating synth pads, its title pointing to finality and farewell. Works for endings, memorials and the last surfacing shot of a dive film, holding weight without ever raising volume.
At 2:58 the second-longest cue, a 102bpm ambient piece in G with piano, strings, pad and a warm sub drone. Its lullaby framing and generous length make it the album's soothing bedtime option — night skies, sleeping children, end-of-film wind-downs.
80bpm F sharp minor cue with a soft beat under piano, guitar, strings and ethereal vocals, the pulse giving it forward drive without aggression. The title points to malfunction and risk, making it useful for a procedural problem-solving sequence or a tense but emotional turn.
One of two electronic-leaning cues, pairing piano and synth arpeggio with a soft kick over drone and pad in A flat minor. The pulse gives editors a rhythmic spine for procedural or forensic sequences while the harmony stays cold and unresolved. At just over three minutes it covers a full investigative scene.
C minor felt piano at 110, with a title suggesting something strange, fluid and submerged — the mood here is curious as much as melancholy. Under two minutes, sparse and unadorned, with the muted hammer attack giving each phrase a soft edge.
A compact 2:11 cue at 112bpm in C minor pairing piano and strings with synth atmosphere and flute, giving it a curious, exploratory character rather than an emotional one. Neutral and contemplative, it moves with light momentum and suits growth and discovery narratives. Good for nature documentary, science explainers, sustainability films and short social edits.
Slow and ambient at 70 BPM in A, drumless, with piano over sustained strings and synth texture. Its calm, wide-open feel suits horizon shots, aerials and the quieter passages of a science or medical film where narration carries the story.
Slow 76bpm D-major bed of reverbed electric guitar with bass, piano and cello, and the shortest cue here at 2:41. The title implies a remembered conversation — intimate, sad-edged and conversational in pace, leaving room above the guitar for narration. Good for interview segments and quiet character beats.
G# major generative modular ambience, bright but unfamiliar-sounding, pads and bass evolving slowly over 4:37. The exploratory title suits opening sequences, expedition footage and space or ocean imagery where the destination is still unclear.
Piano over drone and synth at a steady 96 BPM in B flat, with a room-number title that suggests something interior and slightly clinical rather than scenic. Neutral throughout its 2:35 and easy to loop or trim under dialogue. Suits a hospital or hotel interior scene, a true-crime reconstruction beat, or a quiet lab sequence.