Weightless

The one cue on the album without a pulse layer: piano, cello and airy wordless vocal drift over guitar texture and soft FX in E flat, so it floats rather than moves. Warm but shaded with melancholy, it suits reflective narration and slow landscape imagery.

A minor-key underscore at 110 BPM where a steady pulse sits under piano, strings and cello with ethereal vocal haze and FX. The F minor colour and title push it toward emptiness and unease rather than uplift, holding tension without a full release.

The slowest of the pulsed cues at 80 BPM in C major, with piano and cello lines over a quiet ticking pulse, guitar texture and wordless vocal air. Hopeful and spacious, it reads as looking back over a life or a long-form reflection.

At 1:36 this is the shortest and most compact cue here, an instrumental with no vocal layer: piano, strings, cello and guitan texture over a driving pulse in G flat. Forward-leaning and purposeful, good for progress and transformation beats that need to be cut tight.

The title cue, and one of only two with a lead vocal — a male voice over piano, cello, strings and a soft pulse in D major, tagged for air and flight. Weightless and quietly euphoric, it suits aerials, drone footage and moments of release.

One of three 120 BPM cues, in bright E major with piano, strings, cello, guitar texture and wordless vocals over a quick pulse. Momentum with a gentle, remembering quality — useful when a scene needs pace but not force.

The outlier in instrumentation and the slowest cue at 60 BPM: marimba and flute lead alongside strings, piano and cello over a slow pulse in F major. Its wide, geological calm suits maps, migration and vast natural scale.

An instrumental cue at 100 BPM in A major, piano and cello over pulse, strings and guitar texture with no vocal layer. The bright key and urban title point at glass, reflection and modern architecture — clean and neutral enough to sit under dialogue.

A 120 BPM cue in F minor, the darker twin to the album's other fast tracks: piano, strings and cello over an insistent pulse, no vocal. The minor key gives the title's belonging a bittersweet, hard-won edge rather than a triumphant one.

The longest-feeling of the slow cues at 80 BPM in G flat, and the only one with a female lead vocal plus synth alongside piano, cello, strings and pulse. Cosmic and hushed — the Swedish title means space — it works for star fields and quiet awe.

At 1:48 the shortest of the 120 BPM group, in A major with piano, strings and cello riding a steady pulse and no vocal line. Warm arrival energy that gets to its payoff quickly, made for short-form edits about homecoming and community.

The album's longest cue at 2:19, 100 BPM in G major with piano, strings and cello joined by synth and wordless vocals over a light pulse. Its extra length allows the gentlest, most patient rise on the record — renewal and new-growth imagery.