The longest-breathing minor-key piece on the set: sparse piano figures suspended over sustained synth drone and pad wash at 98 BPM in F minor, with a reflective, faintly mournful cast that the title's sense of aftermath supports. It stays unhurried across nearly three minutes, leaving wide midrange space for narration. Suits post-event documentary footage, memorial or recovery sequences, and slow aerial passes over emptied landscapes.
The title cue and the quickest pulse here at 113 BPM in A minor, where piano and pad motion give the ambience a subtle forward drift rather than pure stillness. At 2:24 it is the most compact and the most useful when a scene needs calm that still moves. Good for technology and science storytelling, timelapse of city or sky, and reflective brand films.
Slow, open ambient underscore at 84 BPM in G minor, built from unhurried piano over drone and pad, with the title pointing to beginnings and quiet resolve rather than loss. The tempo and short 2:28 runtime make it a clean opener or scene-setter under dialogue. Works for coming-of-age openings, origin-story documentary intros, and nature footage at dawn.
At 3:11 the longest cue on the album, a gently rolling B minor bed at 90 BPM where piano notes float over continuous drone and pad texture, matching the water imagery of the title. Its length makes it the practical choice for long-form narration or extended massage and meditation content. Fits spa and wellness visuals, underwater or coastline footage, and slow-motion nature photography.
The only major-key cue on the album, in A at 84 BPM, which gives its piano-over-pad ambience a brighter, more euphoric lift than its minor-key neighbours. Weightless and floating rather than melancholy, it resolves warmly inside 2:29. Ideal for space and flight visuals, uplifting medical or science stories, and clean product reveals.