42 cues
The warmest and most romantic track on the album: 119bpm in E minor, with electric guitar added over the 4/4 kick, synth bass and glitched vocal chops. Emotional and love-leaning rather than purely club-driven, so it fits couple footage, golden-hour beach scenes and relationship-focused storytelling.
A 91bpm F minor groove with horns, strings, electric guitar and vocal samples over a forward-leaning boom-bap beat — one of the more feel-good, motion-driven cues on the album. Steady energy across two and a quarter minutes with a clean finish.
An extended 88bpm boombap groove in F minor with electric keys, muted trumpet, chopped vocal samples and record-style effects over loose drums. Nearly four minutes long and steadily retro-jazzy, it gives editors plenty of runway for long cuts.
A confident 90bpm cue in B flat major, mid-tempo future bass with sliced vocal hooks, glossy synth stabs and a firm sub bass pulse. Positive and forward-leaning, an easy fit for feel-good brand work and friendship-driven footage.
A tight 155bpm future bass cue in B flat minor, built on chopped vocal samples, wide detuned synth leads and string pads over a hard-hitting beat. At under two minutes it moves quickly from atmospheric intro to full drop, making it a compact bed for fashion and tech cutdowns.
A 90bpm downtempo electronic groove in G minor built on synths, a warm organ layer, wordless vocal textures and vinyl crackle, with rises and swells pushing each section forward. Mellow but with a cool, sultry swagger that suits slow-motion imagery and confident on-screen movement.
A relaxed 120bpm chillstep-future bass hybrid in D minor, built from piano, warm pads, light percussion layers and chopped vocal samples over a mid-weight beat. Playful and unhurried rather than aggressive, which leaves room for narration across the verses.
Bright marimba hook over a mid-tempo 105bpm hip hop beat in major-key D, with chopped vocal samples and a rounded bass holding the groove. Sunny and uncomplicated, it stays at one happy plateau rather than building, which makes it easy to cut against short-form footage. Suits teen and vacation content where the picture carries the story.
A cooler, half-time-feeling future bass cue at 160 BPM in major-key G, pairing clean electric guitar figures with wide synth pads, brass stabs and a crisp programmed beat. Chillstep-leaning and glossy rather than aggressive, it suits luxury and fashion imagery where the groove needs to stay laid-back.
Half-time 87 BPM future bass in D, moodier and more sensual than the album's dance cuts: soft trap-leaning beat, pitched vocal glitches and a thick sub bass. Sits in a slow, romantic groove for over three minutes without ever going full EDM.
A 100bpm chillstep groove in E with marimba figures, clean electric guitar and clipped female vocal samples over a clap-driven downtempo beat. Warm and unhurried, it reads as sunlit lifestyle rather than club energy, with enough forward motion for a montage.
Driving half-time ambient groove at 140bpm in C minor, with piano figures, running arpeggios, layered pads and tight percussion building steadily over five minutes. Reflective but forward-moving — good for footage of progress, accumulation and small revelations.
Electronic trap at 130 BPM in A minor, driven by a snapping hi-hat-led beat, deep bass and synth hooks accented with vocal samples. Cooler and more swaggering than the house cuts, with a darker minor-key attitude and no percussion clutter. Works for streetwear edits, car detailing reveals and confident walk-in entrances.
The fastest cue on the set at 134 BPM in D minor, pushing the chill hip hop/trip hop template toward a brighter, more danceable pop pulse under lead male vocals and chopped vocal hooks. Dreamy and introspective in tone but with real forward drive, and at 3:43 it has room to build across a longer edit. Works for travel and city-at-night footage, sports lifestyle spots or a party-into-morning montage.
The album's hardest-hitting statement piece: trap-leaning future bass at 145bpm in F minor, with piano figures cutting through pitched vocal chops, wide synth pads and a heavy sub-bass beat. Confident and fashion-forward rather than emotional, it suits fast-cut reveal edits and ends inside a tight two-minute cutdown.
A 120bpm downtempo groove in A flat, built on glitch-edged beats, warm pads, chopped vocal samples and a rounded bass. Bright-key and relaxed rather than dark, it holds a steady hypnotic plateau for its three and a half minutes — good for slow-motion water footage and lifestyle imagery.
The fastest cue on the set: a 160bpm chillstep-pop drive in bright E major, with piano figures, arpeggiated synth and chopped vocal samples over a hard-edged beat. The 'Come Back' title and major key push it toward reunion and reconciliation footage, and the energy stays high enough for an end-of-episode montage.
An uplifting A minor future bass track at 145bpm that pairs sustained strings with bright synth stabs and a deep sub bass. The two-and-a-half minute runtime allows a longer emotional build before the drop, suiting narrative-led brand films and hopeful reveals.
Future bass with a chillstep edge at 140 BPM in D, leaning on wide synth chords, sub-heavy bass and a half-time-feeling beat rather than percussion detail. The most introspective and least vocal-driven cue here, glossy but slightly wistful. Good for slow-motion water footage, sneaker product reveals or a reflective beat in a youth-focused piece.
The album's most intimate cue: acoustic guitar figures and vocal chops over a brisk 135bpm trip hop beat in F# minor, with a slight ethnic inflection in the guitar phrasing. Reflective and romantic rather than glossy, it trades the record's luxury sheen for something warmer and more personal. Good under a quiet character moment or a two-hander conversation scene.
Laid-back future bass at 110bpm in F minor, driven by synths, pads, bass and vocal chops with no piano in the palette. Summery and dreamy with a relaxed pulse, it works as a steady bed under narration or a mid-tempo product walkthrough.
70 BPM chillstep in E minor, the shortest and most melancholy of the slow cuts, with a laid-back beat, breathy vocal glitches and heavy low end. Emotional and yearning, suited to reflective moments before a lift elsewhere in the edit.
At nearly eight minutes this is the album's longest journey — a synth-led 95bpm piece in E flat with pads, drone, arpeggios and unhurried percussion, no piano lead. Built to unfold slowly, ideal where an editor needs a single continuous bed.
106bpm in A flat, with bell tones sparkling above a synth bed, sub bass and crisp claps, plus wordless female vocal samples for air. The bell layer gives it a slightly cooler, more nocturnal shimmer than its beach-oriented neighbours.
Synth-and-bass trip hop at 130bpm in F minor, softer and more melancholy than its neighbours despite the same chilled luxury framing. Vocal samples float over a steady beat with no big dynamic swing, keeping it useful as an underscore. Works for slow-motion summer footage with a wistful edge.
The most optimistic of the chillstep cues — 110bpm in bright E major, pairing piano figures with glitched beats, wide pads and vocal samples. Moody at the start but tilting uplifting, it suits footage of change, thaw or renewal.
The shortest cue on the album at just under four minutes, a 105bpm groove in F built from synth pads, deep bass, claps and airy female vocal samples with no lead instrument competing for the centre. Sleek and easy to cut to camera-work.
The fastest cue on the album at 153bpm, in A flat minor, with saxophone floating over piano, pads, arpeggios and percussion. Smoky and nocturnal — the sax lead makes it the most melodically distinctive track here and the least neutral under dialogue.
The album's most song-like cue: 110bpm in E flat with arpeggiated synths, pads, a clap-driven beat and lead male vocals processed through vocoder. Romantic and futuristic in tone, its four minutes give room for a full verse-chorus arc over travel or long-form montage footage.
The shortest and most stripped cue here — no piano or guitar listed, just synth pads, vocal samples and a relaxed 106bpm beat in E major. Its confident, upbeat title and lean arrangement make it useful as a bed under narration or a quick 2:43 cutdown.
The slowest cue on the set at 70bpm, a spacious C major future bass groove built from chopped vocal samples, soft synth chords and a rounded sub bass. Its half-time pocket and bright key give it a wistful but warm lift, good for reflective lifestyle footage that still needs a beat.
Darker and deeper at 89bpm in F sharp minor, with funky bass, textural synth pads and chopped vocal samples over a hypnotic beat. Mysterious and slightly spiritual, working well under night footage and unhurried, atmospheric storytelling.
Bright, summery future bass at 138bpm in B minor, with synths, pads, sub-bass and pitched vocal samples but no piano, giving it a cleaner electronic edge. Playful and flirtatious in tone, suited to youth-facing lifestyle content and warm-weather brand edits.
The slowest cue here at 91 BPM in B minor, a chilled future bass groove with electric guitar, atmospheric synths and live-feel percussion instead of brass. Moody and sleek with a gradual brightening implied by the title, it works as a downtempo breather between the album's faster sports cuts.
At 136bpm this is the fastest of the upbeat pop cuts, mixing hip hop drum programming with claps, glitched vocal chops and a bright bassline in D sharp. Youthful and hyperactive, it fits fast-cut footage of teenagers, skateparks and phone-shot summer chaos.
Slow, head-nodding 80 BPM hip hop in F minor with lead male vocals, chopped vocal stabs and a fun, self-referential swagger. The most overtly old-school-attitude cue here despite the chilled tempo and moody harmony. Fits streetwear campaigns, skate and basketball footage, or a comedic urban establishing scene.
At nearly three minutes this is the album's most developed arrangement, a 155bpm G minor future bass build with strings, vocal chops and a weighty low end. The longer form leaves room for a full intro, drop and second lift, useful when a montage needs shape rather than a single hit.
The title track and the fastest cue here at 102bpm in F major, a bright, playful future bass beat with vocal chops, plucky synths and a punchy low end. Sunniest and most immediately upbeat of the album, suited to summer campaigns that want momentum without aggression.
A 150bpm chillstep instrumental in G major built from beat, bass, synth and piano — bright and determined where the title track is darker, with no strings or vocal samples to clutter it. Hopeful and soaring, it holds a single confident energy across four minutes. Good for training and fitness montages, product reveals and upbeat travel or vlog cutdowns.
The title cue: 128bpm in G# minor, synth-driven and coolly minimal, built on a clipped beat, deep bass and glitchy vocal fragments. Purely atmospheric confidence with no emotional pull, which is exactly what makes it a reliable bed for product and fashion visuals. Runs a full 1:59 with a consistent groove throughout.
The brightest and fastest of the vocal-flavoured cuts at 125bpm in B major, with bouncy synth pads, chopped vocal samples, vocoder colour, bass and claps. Happy and flirtatious rather than moody, it lifts feel-good action and summer party footage.