Demented Sound Mafia Slowing Down The Motion

The slowest and most contemplative track at 65bpm in E flat minor, with drone, pads, glitched beat elements, deep bass and distant vocal samples. Meditative and vast, built for high-altitude landscape imagery and quiet exploration sequences.

At 85bpm in C minor this is the seductive, unhurried side of the record — glitched percussion, drone, pads, deep bass and vocal-sample texture stretched across four minutes. Relaxed and after-hours, an easy underscore that never demands attention.

Glitch-inflected 99bpm groove in A minor with Rhodes chords, drone, funky bass, FX and processed vocal samples. Haunting yet danceable, good for edgy character-led footage and stylised slow motion.

A hopeful 100bpm cue in A minor with electric piano and guitar figures over a sustained drone, synths and steady beat. Deep but forward-looking, its short runtime makes it a tidy bed for reflective narration or a snow-and-open-space visual.

The darkest cue on the album: 95bpm in F with sparse piano over a low drone, deep bass, claps and treated vocal samples. Moody and urban, it holds tension without resolving into brightness, suiting investigative and after-hours footage.

Darker and deeper at 89bpm in F sharp minor, with funky bass, textural synth pads and chopped vocal samples over a hypnotic beat. Mysterious and slightly spiritual, working well under night footage and unhurried, atmospheric storytelling.

A 90bpm E flat groove with vocal samples floating over synth pads, bass and an unhurried beat — the most laid-back of the summer-leaning cuts. Nearly four minutes of easy, sun-bleached motion for coastal and cruising footage.

An 88bpm B flat cue with dreamy pads, strings, arpeggios and vocal samples, using rises and ramps to build cinematic scale over a steady beat. The most epic and expansive track on the album, suited to wide landscape shots and heroic slow motion.

Guitar-led at 87bpm in E major, the sunniest and most organic-sounding track here, with clipped vocal samples, claps and a soft electronic bass. Feel-good and romantic, ideal for warm summer footage and easy-going brand storytelling.

A 100bpm B minor cue that pairs electronic pads, arpeggios and beat with viola and strings and a sung male vocal, giving it the most emotional and cinematic lift on the album. Wistful and aspirational — good for triumphant slow-motion payoffs and reflective closing sequences.

The most driving cue on the record: 120bpm in D minor with insistent arpeggios, hard synth bass, a tight beat and female vocal samples used as texture. Intense and slightly ominous, suited to fast-cut action and technology reveals.

Laid-back 87bpm groove in B minor with organ, synth pads, round bass and handclaps, sitting in sunny funk territory despite the minor key. A relaxed but playful bed for boardsport clips and coastal lifestyle footage.

The brightest and fastest of the vocal-flavoured cuts at 125bpm in B major, with bouncy synth pads, chopped vocal samples, vocoder colour, bass and claps. Happy and flirtatious rather than moody, it lifts feel-good action and summer party footage.

The album's most song-like cue: 110bpm in E flat with arpeggiated synths, pads, a clap-driven beat and lead male vocals processed through vocoder. Romantic and futuristic in tone, its four minutes give room for a full verse-chorus arc over travel or long-form montage footage.

A 90bpm downtempo electronic groove in G minor built on synths, a warm organ layer, wordless vocal textures and vinyl crackle, with rises and swells pushing each section forward. Mellow but with a cool, sultry swagger that suits slow-motion imagery and confident on-screen movement.