A slow-burning 84 BPM indie-rock build in E, moving from piano and acoustic guitar over sustained pad into strings, bass and electric guitar with wordless ooh-and-ahh backing vocals lifting the final third. Over three minutes it has room for a full crescendo and a warm, resolved landing, making it suited to emotional payoff footage.
Companion piece to the slower cues at 82 BPM in E flat, but tagged with an added energised streak — piano and acoustic guitar underpinned by pad and bass, with strings and electric guitar broadening the back half and airy background vocals overhead. Just under three minutes, it reads as a sunrise or new-beginning cue and closes on a resolved lift.
The brightest, most playful cue here: 120 BPM in D, with driving acoustic guitar and bass, chiming piano, strings and electric guitar, and wordless vocal ooohs carrying the hook. At 2:44 it's a tight, fun, forward-moving bed for happy lifestyle imagery rather than a heavy emotional arc.
At 116 BPM in E flat, this is the string-and-piano-led variant with no electric guitar in the instrumentation, so the drive comes from acoustic guitar, bass and orchestral swell rather than distortion. The shortest of the mid-tempo group at 2:21, it moves quickly to a heartfelt, triumphant finish.
118 BPM in B, a warm mid-tempo indie-rock cue with piano, acoustic and electric guitar, bass, pad and strings, topped by wordless choral ahhs. The title's solar imagery matches its steady radiant push; at 2:53 it has space for one clear build and a resolved peak.
The album's title cue and its fastest, at 160 BPM in C minor — the only minor-key track and the only one tagged for sports, giving it urgency and grit under the uplifting arc. Piano, acoustic and electric guitar, bass, pad and strings drive it without background vocals, keeping the texture leaner over 2:54.
A brisk 125 BPM cue in G, compact at 2:22, with acoustic guitar and bass propulsion, piano, strings, electric guitar and wordless vocal pads. Its title points to journey and discovery footage, and its short length makes it an efficient cut-down for advertising.
The longest track at 3:27, 130 BPM in A, giving the fullest indie-rock arc on the album: acoustic guitar and bass groove, piano figures, strings and electric guitar swelling with angelic ooh-ahh backing vocals into a triumphant final chorus. Best where you need a complete three-and-a-half-minute build rather than a short bed.
86 BPM in D, one of the reflective slower cues, opening with piano, acoustic guitar and pad before strings, electric guitar and wordless vocals widen the picture. At 2:49 the arc is gradual and romantic, suiting quiet dawn imagery and intimate personal storytelling.
The slowest cue at 77 BPM in C sharp, and one of two here without background vocals, so the melody sits with piano, strings and electric guitar over acoustic guitar, pad and bass. Its 3:12 length and unhurried, heartfelt build suit anticipation-before-the-event scenes and reflective openings.