Let's Party

A slow-swaggering 96 BPM trap-pop cut in F with claps, sub bass and synth hooks under a confident female vocal. The mood is flirtatious anticipation rather than full release — a build toward a night that hasn't started yet.

The fastest and most aggressive cue here: 132 BPM in D minor with distorted bass, braams, hard claps and a bragging male rap vocal. Built for winning montages — relentless forward drive with no let-up across three and a half minutes.

A reggaeton-leaning pop track at 105 BPM in bright C major, with dembow-flavoured beat, clap, bass and a sultry female vocal. Warmer and more hip-led than the trap cuts — attention-seeking, nightlife-glamorous.

The album's title cut and its most straightforwardly fun entry: 110 BPM pop in D minor with clap-driven beat, synths and a female vocal, tilted toward summer and vacation rather than swagger. Less menace than the trap tracks, more poolside celebration.

Slow, heavy 80 BPM trap in G minor built on booming bass, sparse claps and chopped vocal samples rather than a lead vocal — luxury flex energy. The most instrumental cue on the record and the easiest to talk over.

A 130 BPM swagger-rap driver in C minor with 808 sub, percussion layers, claps and a self-assured male vocal. Sits close to the other uptempo male-vocal cut but runs slightly darker and more percussive, with a long three-minute build for extended edits.