Baller

Title cut of the set: 87bpm trap in E flat minor built on 808 sub-bass, brassy stabs and a chopped vocal sample hook that gives it more attitude than the instrumental-only cues around it. Swaggering, mid-tempo and unhurried, it suits slow-motion player intros and street-style fashion walks.

93bpm trap beat in D flat minor with hard programmed drums, deep 808s and short brass punctuation, staying in a confident groove rather than building to a peak. The grind-and-earn-it title makes it a natural fit for training and preparation footage.

At 97bpm in D minor this is one of the more forward-driving cuts, pairing snapping trap percussion with brass hits and synth lines over a heavy low end. Its just-under-two-minute length gives an editor room for a full run-out on chase or fast-break footage.

95bpm C minor trap with a brighter, more celebratory swing in its brass and synth writing, aimed squarely at nightlife rather than competition. Short and punchy at 1:38, it drops in cleanly under club B-roll or a party-night reveal.

92bpm in C minor, the same key as the party cut but darker in intent — tight trap drums, weighty 808 and stabbing brass suggesting a clock running down. Works for buzzer-beater edits and any final-push moment that needs tension without changing tempo.

The sultriest cue here: 95bpm in A flat minor, with slinky trap programming, sub bass and low brass accents in place of any big melodic hook. At 1:36 it is a compact bed for after-dark fashion and lifestyle imagery.

94bpm G flat minor trap with a moody synth palette over hard drums and brass punches, the most atmospheric of the mid-tempo group. Its 1:54 runtime and steady groove make it a good under-dialogue bed for city night footage.

The slowest and shortest cut, 82bpm in D minor, distinguished by pizzicato strings threaded through the trap drums, 808 and brass for a stalking, playful menace. At 1:16 it functions best as a sting, tag or short trailer hit.

A tempo jump to 122bpm in D minor pushes this into aggressive, up-tempo territory: driving trap-hybrid drums, heavy bass and brass hits hammering the downbeats. Built for hard-cut action edits and combat sports.

The fastest and most triumphant cue at 132bpm in A minor, with relentless drums, big 808 low end and brass fanfare figures over a wide, loud mix. Best used for victory sequences and championship openers where the edit needs maximum forward drive.