The album's title cue: a slow 75bpm neo soul groove in E with brushed drums, round electric bass and Rhodes chords, topped by a flute line that carries the melody. Warm, unhurried and 70s-tinted, it suits leisurely travel footage and lifestyle sequences that need charm rather than drive.
An 80bpm cruise in A flat minor, the minor key giving this one a wistful, slightly smoky cast against the album's sunnier tracks. Rhodes and bass ride a relaxed pocket with strings adding a soft cushion; at 3:14 it is the longest cue here and the best fit for extended scenes.
The funkiest and rawest thing on the record: 117bpm in E flat, stripped to drums, fat bass and Rhodes with no sweetening. Short at 1:50 and tagged cool and sexy, it works as a punchy strut cue for edits that need attitude fast.
The outlier on the album, filed as straight jazz with psychedelic, water and rain colouring — 121bpm in E with drums, bass, Rhodes and strings flowing rather than grooving. Its drifting, weightless quality suits nature imagery and dreamlike transitions more than lifestyle b-roll.
Trip hop meets neo soul at 120bpm in E minor, tagged avant garde — the darkest and most left-field cue here, with drums, bass, Rhodes and strings in a moodier, more forward-moving frame. Good for travel-as-journey imagery that wants unease under the cool.
At 91bpm in bright B major, this is the most forward-leaning of the mid-tempo tracks, with strings lifting the Rhodes-and-bass groove. The title's optimism reads on screen as small-scale encouragement rather than triumph — good for people starting something.
The shortest cue on the album at 1:26, a 75bpm retro soul sketch in D flat that swaps Rhodes for acoustic piano over drums and bass. Laid-back but bouncing against the beat as the title suggests, it works as a stinger, bumper or quick scene tag.