A slow-burn tension bed at 82 BPM in F minor, built from sustained strings, sparse piano figures and dry percussion that ticks the scene forward without committing to a hit. At just under two minutes it works as a discovery beat — the moment a case file cracks open or evidence is laid on a table.
At 100 BPM in G# minor this is one of the darker, more propulsive beds on the set, with strings and synth layered over insistent drums and percussion and piano used as punctuation. Ideal for closing distance on a suspect or a countdown to an on-camera confrontation.
A 90 BPM C minor bed with dark-leaning strings, synth pads, piano and steady percussion, sitting mid-way between menace and forward motion. Suits footage of someone hiding, relocating or lying low — safe-house scenes, night driving, witness interviews.
The slowest cue here at 75 BPM in C# minor, leaning on held strings, spaced piano and restrained percussion for a psychological rather than physical tension. Built for interrogation rooms, unreliable testimony and manipulative-behaviour segments where dialogue has to lead.
Dark 100 BPM tension in D minor with strings, piano and driving percussion, running just over two minutes for longer edits. Fits the moment something doesn't add up — a detail noticed on camera, a timeline that won't reconcile.
A 4/4 kick anchors this D# minor cue at 100 BPM, with synth, strings, piano and percussion giving it a technical, machine-like pulse. The most overtly digital-feeling bed on the album — cyber-crime, data forensics, screen-capture and code footage.
100 BPM in G minor, strings and piano over insistent drums and percussion, with a consequence-weighted feel that suits decisions going wrong on camera. Its 2:14 length gives room for a full reality-segment arc from setup to fallout.
The title cue and the fastest track at 115 BPM in C minor, driven by a 4/4 kick, percussion and synth with piano rather than strings carrying the harmony. Use it for keyboard-and-screens montages, breach sequences and any tech-thriller build that needs pace.
A 90 BPM cue notated in E, its dark strings, piano and dry percussion creating an unsettled watchfulness rather than outright threat. At 2:23 it's one of the longer beds, useful for extended stalking, paranoia or wellness-crisis footage.
90 BPM in C minor with strings, piano and percussion arranged around an uneasy, irregular-feeling pulse implied by the title. Good for medical emergencies, panic and any scene where the audience is meant to feel the rhythm falter.
A slower 80 BPM cue in G minor where strings and piano lean toward dissonance over spare percussion, per the title's atonal cast. Suits unnerving, hard-to-read footage — abandoned locations, unstable behaviour, evidence that disturbs.
Dark 100 BPM tension notated in B, with synth and strings over active drums and percussion and piano stabs for accent. Predatory forward motion for pursuit sequences, stalking footage or a manhunt narrative approaching its close.
Distinct from the rest of the album in colour: bells and synth replace strings over piano and steady 90 BPM percussion in A# minor, giving a cold, waiting-in-the-dark texture. Made for surveillance holds, night exteriors and patient investigative sequences under narration.