The fastest cue on the set: 130bpm synth pulse in G minor over a low drone, with dry percussion driving a steady investigative gait. No melodic lead to speak of — it works as a two-minute forward-motion bed for surveillance, chase prep or a case timeline being pieced together.
At 120bpm in B minor, an arpeggiated synth figure and xylophone points ride a drone and light percussion, the title's regret suggesting a colder, more inward read than pure pursuit. The longest of the mid-tempo cues at nearly three minutes, giving room for an interview or confession to play out over it.
A slow 60bpm C minor arpeggio suspended over drone and sparse percussive hits, haunting rather than propulsive. The clock-running-out title suits deadline countdowns, cold-case reveals and morgue or evidence-room footage where the pace is deliberate and unresolved.
The widest palette here: xylophone and synth over drone with piano and strings shading, at a slow 67bpm in G minor. Two minutes of classified-file atmosphere — good for redacted documents, whistleblower testimony and covert-operation reconstruction.
A pulsing 95bpm A minor bed of synth, percussion and drone with piano accents, more overtly dramatic than the slower cues on the album. Under two minutes and forward-leaning, it fits an escape, a raid or an act break where the situation escalates.
The shortest cue on the album at 1:47 — 67bpm in E minor with xylophone glints against synth drone and restrained percussion, distinctly haunting. Built for a short interrogation beat, an accusation, or a stinger-length bed under a hard question.
A 75bpm D minor pulse with synth, drone, piano and strings, sitting between the album's slow haunting cues and its faster chases. The title points at conspiracy and preparation — planning-table scenes, mapping a route, assembling a crew.
Slow 68bpm A minor bed of synth, drone and piano with sparse percussion, haunting and largely static across under two minutes. Suits archive photographs, case-file narration and the opening of a true-crime segment before anything is revealed.
At 60bpm in G minor and nearly three minutes long, this is the album's deepest atmospheric piece: a slow synth arpeggio over drone with piano and scattered percussion. Best for eerie, unresolved passages — night exteriors, abandoned locations, a psychological unravelling.
The longest cue at 3:02, and the only one built on percussion, bass and piano rather than synth and drone, giving it a more acoustic, dramatic weight at 75bpm in G minor. Its length and rhythmic underpinning make it a main-body underscore for a long documentary segment or a character's darker turn.