A slow-burning 92 BPM delta blues in C, built on dobro and slide guitar over a heavy trip hop drum and bass foundation, with harmonica and a weathered male vocal carrying the hardship narrative. The mood is dusty and unresolved-feeling but the groove holds steady throughout, giving it a period-drama weight rather than a party lift.
The most laid-back lounge cut on the set: 99 BPM in B flat, with brushed trip hop drums, walking upright bass, clean electric guitar and relaxed male vocals. At 2:42 it's a compact, cool-headed bed for lifestyle content that needs style without demanding attention.
A cheeky 70s-flavoured funk vamp at 95 BPM in A, with wah guitar, Hammond and Rhodes over shaker and percussion, plus a swooping theremin line and sly male vocals that push it toward comedy. Best where the picture needs a knowing wink — flirtatious, retro and a little absurd.
The album's club cut: a four-on-the-floor 126 BPM house groove in F# minor with wah-wah guitar, percussion, saxophone lines and male vocals over a disco-funk chassis. Darker than its 126 BPM sibling thanks to the minor key, so it suits after-hours and high-stakes glamour.
A 93 BPM downtempo blues groove in B flat where dobro and steel guitar sit against wah-inflected electric guitar and a loping bass line, with male vocals adding a hazy incantatory feel. Mid-weight and hypnotic rather than driving — useful when a scene needs atmosphere with a pulse.
The most euphoric track here and the only instrumental-led one: 126 BPM in F# minor with congas, wah-wah guitar, Hammond and Rhodes, punchy horns and chopped vocal samples instead of a lead vocal. Short at 2:21 and relentlessly upbeat, built for summer motion.
The slowest cue on the album at 66 BPM in E, pairing dobro and slide guitar with vibraphone and soft oohs-and-ahhs over an unhurried downtempo beat. Warm, sun-bleached and spacious — a coastal cool-down rather than a groove workout.
A 92 BPM blues-trip hop instrumental in A led by organ, horns and harmonica over a fat drum and bass pocket, with vocal samples and effects instead of a sung lead. The comedic tilt in the mood and the title's police connotation make it a natural for capers and small-town mischief.
The longest and most elegant piece at 3:38: an 80 BPM bossa nova in B minor with brushed drums, percussion, Rhodes and Hammond, trumpet and horns, and female vocals plus vocal effects. Smooth, sensual and luxurious — the closing lounge number of the set.