Laid-back 89bpm East Coast hip hop in C minor, built on a dusty beat with upright-feeling bass, sparse piano figures and a shadowy string layer. Two minutes of unhurried, vintage-luxury cool that suggests money and quiet menace rather than celebration.
Bright 115bpm Afrobeats-leaning groove in F minor with classical guitar, marimba, hand percussion, claps and a steady four-on-the-floor kick under warm synth pads. Sunlit and flirtatious, moving at a walking-pace strut for under two minutes.
The longest of the downtempo cues at nearly three minutes: 150bpm halftime-feeling chillstep in E minor with sub-heavy bass, glassy synths, piano and wordless oohs and chopped vocal samples. Cool and romantic, with room to sit under narration across a long edit.
A 121bpm Afro-house cue in E flat minor combining marimba and mallet patterns, claps and layered percussion with a driving 4/4 kick, atmospheric synths and saxophone lines. Uplifting and expansive despite the short 1:51 runtime.
At 4:45 the album's most spacious cue: 100bpm trip hop funk in E minor where Rhodes, loose percussion and fat bass sit beside plucked zither and guzheng, with electric guitar and trumpet/horn accents. Cool and slinky, with enough length for extended documentary or travel sequences.