A slow, swaggering big band blues in D minor at 75 BPM, built on brass and trombone stabs over walking bass, brushed drums, piano and a string cushion. It carries itself with unhurried confidence — a reveal cue for a character who already knows they've won — and its 2:16 length gives room for a full trailer build to a final hit.
The fastest of the album's big band blues cuts at 120 BPM in E minor, driving hard on drums and bass with brass and horn punches riding above piano and strings. Two minutes of forward momentum with an obvious upward trajectory, suited to chase footage, competition sequences or a fast-cut trailer that needs vintage brass energy rather than modern percussion.
A 60s spy-flavoured cue at 98 BPM in A minor, pairing a modern beat and bass with synth, strings, brass and piano for a knowing Bond pastiche. The tone sits between genuine tension and comedy, making it useful for surveillance and stake-out footage as well as sequences that wink at the genre.
A light, mischievous big band jazz walk at 88 BPM in E minor, led by trumpet and horn lines over piano, upright-style bass and drums. The comic phrasing suits tiptoeing, scheming and small domestic disasters rather than anything grand, and at 1:53 it fits a standard promo slot.
The album's title cue, a slow 74 BPM big band blues in E minor with brass, trombone, piano, bass, drums and strings delivering the record's core smoky, self-assured sound. Its deliberate pace and dark minor colour make it the most sinister of the confident cues — a natural bed for a devil-at-the-crossroads narration or a villain's entrance.
A stylish R&B blues at 85 BPM in A minor, electric guitar leading over strings, piano, bass and a steady backbeat. Warmer and more romantic than the brass-driven tracks here, it works for slow-motion lifestyle footage and intimate two-hander scenes, with a title that points toward resilience and empowerment.
A Latin-tinged big band jazz cue at 107 BPM in E minor, mixing brass and horns with synth, piano, bass and strings for a vintage, cartoonish strut. The pace and comic character suit capers, market chases and anything needing retro South-of-the-border flavour without becoming a cliché mariachi cue.
A cheeky, sneaky R&B blues groove at 88 BPM in G minor, built on drums, claps, Hammond organ, synth and bass rather than horns — the most stripped and rhythmic cue on the album. The shortest track at 1:45, it suits sly reveals, hustlers and comedy sequences that need attitude and clear space over the beat.
A moody 60s surf-rock cue at 91 BPM in E minor, driven by reverb-friendly electric guitar with synth, piano, drums and bass underneath. Darker and more dominant than the album's comedy material, it works for standoffs, arrivals and cool-headed menace, and its 1:46 runtime is a clean promo length.
An energetic big band jazz romp at 91 BPM in C minor, brass, trombone and horns snapping over piano, walking bass, drums and strings. Bright, cheeky and period-flavoured, it suits beat-poet and 50s-60s coffeehouse imagery as well as fast comic action cut to the brass hits.