Quirky Panther

The album's fastest chase cue: 130bpm live jazz combo in B flat minor with brushed drums, walking bass, marimba, breathy sax and stabbing horn punctuation over sneaking strings. Comic urgency rather than real danger — built for a caper gone wrong or a pratfall pursuit down a hallway.

A loping 90bpm G minor shuffle with the widest keyboard palette on the set — Hammond and Rhodes alongside electric guitar, sax, horns and light percussion. Mildly exasperated, comic-search energy that suits someone patting their pockets in mounting panic.

At 77bpm this is one of the slowest, most tip-toed cues here: sparse drums and bass under marimba, muted sax and sly string lines in G minor. Loose-limbed mischief with plenty of air between hits, ideal for stalking-around-the-room comedy.

Slow-simmering 83bpm G minor jazz with marimba, percussion, sax and horn accents over sneaking strings, leaning more investigative than comic. Good for footage of raised eyebrows, side-eye and a houseguest going through drawers.

The shortest cue on the album and its brightest key choice, a 100bpm D minor romp with organ, Hammond and Rhodes layered over marimba, sax and horns. Back-and-forth cat-and-mouse energy in a tight two minutes, easy to drop over a quick comic edit.

Fast at 130bpm but written in A minor and softened by accordion and pizzicato strings, giving it a continental, lounge-lizard swagger over the marimba and sax combo. Suits a suave character striding into frame with far too much confidence.

A dark-tinted 78bpm F minor creep with Rhodes and Hammond colouring the marimba, sax, horns and percussion, and one of the longest runtimes here at 2:35. The most genuinely nervous cue on the album — comedy suspense for a torchlit walk toward a strange noise.

Mid-tempo 90bpm search music in C minor, with pizzicato strings tiptoeing alongside marimba, upright bass, brushed drums, sax and horn stabs. Playfully methodical rather than tense, made for a room-by-room hunt played for laughs.

Brisk 120bpm F minor strut with wood block and percussion ticking against pizzicato strings, marimba, sax and horns — the most rhythmically clipped cue on the album. Ideal for a line-up of oddball characters entering one by one.

A 108bpm G minor prowl that adds electric guitar and organ to the core marimba, pizzicato strings, sax and horn writing, sitting between the album's tiptoe cues and its chases. Cheeky and light on its feet, suited to small mischief building toward a punchline.