The album's title cue and its fastest, running at 112bpm in G minor with distorted 808 kicks, feedback textures, rise and ramp transitions and huge trailer drums. Two minutes of escalating futuristic menace with a hard back-end payoff rather than a melodic hook, suited to superhero and psychological-thriller cutting.
At 90bpm in F minor this is the swagger end of the record — a slower hip hop beat under distorted 808s, feedback and huge drums, cool and street-tough rather than outright sinister. The shortest cue on the album at 1:43, making it a tight fit for a single trailer act or a title-card slam.
100bpm in F minor, with a deep drone laid under the distorted 808 kicks, feedback and huge drums for a haunted, evil-leaning tension bed. Builds steadily across two minutes to a heavy back-end hit, useful where the picture needs dread as much as impact.
The martial-arts cue of the set: 100bpm in A minor with flute and vocal colour over distorted 808s, ramps and huge trailer drums, giving the heavy beat an Asian flavour. Dark and combative across 2:09, built for duel and training footage where the ethnic instrumentation carries the setting.
110bpm in E minor, near the top of the album's tempo range, pairing a low drone with distorted 808 kicks, rises and huge drums for an attacking, unhinged tone. Its 2:12 length gives room for a full three-act trailer build to a battering back-end.
The slowest cue here at 85bpm in B minor, leaning on synth riffs and a laid-back hip hop beat under distorted 808s and huge drums. Cool, sexy and confident rather than horrific, with enough space in the slow tempo for narration or dialogue.
100bpm in D minor and the longest cue on the album at 2:14, with drone underpinning distorted 808s, feedback and huge trailer drums. The extra length allows a long attacking climb from sparse dread to a full percussive climax.
100bpm in E minor with flute and vocal textures over distorted 808s and huge drums, the most mysterious and adventure-tinged cue of the album. The Middle Eastern reference in the title matches its ethnic instrumental colour, working for historical conflict and desert footage.
100bpm in E minor with vocals over a hip hop beat, distorted 808 kicks and huge drums — swagger and menace in equal measure across 2:08. The doppelganger title suits confrontation and mirrored-identity cutting where a cool groove sits under the threat.
100bpm in G minor, closing the album with drone, distorted 808 kicks, feedback and huge trailer drums in its darkest, most attacking form. Reads as a finale: 2:10 of escalation to a decisive heavy back-end, ideal for the last act of a trailer.